Neil Peart was undeniably a revolutionary pressure in music, a craftsman who reworked percussion into an artwork type. Recognized for his intricate rhythms, technical precision, and imaginative lyricism, Peart’s contributions to Rush elevated the band to legendary standing. His drumming was far more than merely offering the band with a rhythm spine; it was additionally about telling tales, pushing boundaries, and provoking generations of artists to try for greatness.
On this spirit, veteran session drummer Ken Mary has launched into a venture that pays homage to Peart’s genius whereas demonstrating the profound issue of replicating it. Mary, whose profession consists of taking part in with rock and steel icons like Alice Cooper, Settle for, Flotsam and Jetsam, and Fifth Angel – amongst many others – not too long ago unveiled The Neil Peart Experiment. The video sequence culminates along with his rendition of Rush’s iconic monitor, “Tom Sawyer,” which we’re premiering right now.
Earlier than skeptics soar to conclusions about this being an try to money in on the late drummer’s legacy, Mary units the report straight: “These are purely tutorial movies, and they’re NOT monetized on YouTube.” Removed from a business endeavor, the venture is extra of a labor of affection and respect for one in all rock’s most revered drummers.
The idea originated throughout the pandemic lockdown when a fellow drummer from Seattle threw down the gauntlet. Given Mary’s intensive session work and his historical past of tackling complicated music, the problem was to take away the drum tracks from Rush songs and recreate them from scratch. The catch? He needed to match the unique performances as carefully as potential – timing, fills, and all – with none enhancing, sampling, or post-production tweaks.
Including to the issue, Rush’s recordings weren’t laid down with a click on monitor, that means their tempos subtly shifted, requiring Mary to regulate in actual time. As he describes it, the problem was akin to “eradicating the inspiration of the home and changing it.”
Mary defined the complexities of the venture: “I do know to folks that haven’t recorded within the studio, this simply seems to be like some man taking part in the music. Nevertheless, attempting to duplicate the monitor as precisely as potential was harder than I imagined. I needed to be taught the fills and grooves as Neil performed them again then, as he did change them barely through the years. Then I needed to know the place the band surged or pulled again, so I may lock to the prevailing guitars and bass seamlessly with no enhancing, and once more in a single steady cross.”
For Mary, the venture was greater than a technical train; it was a heartfelt homage to one in all his heroes: “Rush didn’t use a click on monitor. If anybody else needs to do this experiment, please do! However bear in mind the foundations! I’ve my particular person GoPro video and audio to show this was all recorded in a single cross with no enhancing or enhancement. I hope Neil would have been happy with this ‘experiment,’ and the truth that one other artist would take the time to report these songs, and to get them as shut as potential utilizing the unique strategies he used at the moment,” he provides with humility.
As talked about above, that is the final a part of a three-video sequence. Take a look at the primary two renditions of “YYZ” and “Freewill” beneath.
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