UK alt-rock sister duo Child Mentioned explode onto the scene with BS, a ferocious and unapologetic debut full of roaring guitars, biting lyrics, and pure emotional fireplace. Having delivered a daring, no-holds-barred soundtrack to talking up and standing tall, Veronica and Jess Pal take us track-by-track by their high-voltage album, unpacking every track’s energy and goal with intimate insights and cheeky wit.
Stream: “Hate Me” – Child Mentioned
Yes it’s named ‘BS,’ however this album is something BUT.
The music is loud. It’s uncooked. It’s turbulent. It’s ROCK. Child Mentioned’s debut album doesn’t ease you in or ask permission – it kicks down the door with a scream and a guitar riff, then dares you to not really feel one thing. BS is an eruption: Of energy, of ache, of defiance and demand.
Throughout seven fiery tracks, the Portsmouth-based sister duo confront self-doubt, disgrace, poisonous relationships, and inner darkness head-on, wielding overdriven guitars and unfiltered vocals as each weapon and lifeline. It’s a document constructed for anybody who’s ever felt silenced or stepped on – a rallying cry for reclaiming your voice, your house, and your value.
Each time you’re
speaking right down to me
Trigger you want a lift
on your self worth
You’ll be able to’t management your jealousy
Properly you’re ego was
by no means mine to feed
You need it, you want it
However I’ll all the time be undefeated
You’ll love me
Oh I’ll make you hate me
So that you could’t shake me
I’m gonna get you all in your head
Make you remorse so get f*ed
– “Hate Me,” Child Mentioned
Launched March 7th by way of their very own label Pal Data, BS marks a serious milestone for Child Mentioned – the debut full-length from a band that’s spent the previous few years incomes their stripes gig by gig, chord by chord. Hailing from Portsmouth, UK, Italian/Punjabi sisters Veronica (20) and Jess (18) Pal have been making music collectively for many of their lives, busking on the streets, forming a covers band, and taking part in over 250 reveals throughout the UK earlier than ever dropping a single unique monitor. That grind paid off: With BS, they ship a document as lived-in as it’s ferocious – a pure extension of the uncooked, high-octane sound they honed onstage. Co-produced by Patch Boshell and Steven Battelle (who additionally co-wrote three tracks), the album blends grit and precision, pairing unfiltered emotion with the tight, dynamic musicianship of a band who already know precisely who they’re and what they stand for.
As relentless as it’s, BS doesn’t simply blow off steam – it channels it.
The album is exhilarating in its power, however what offers it endurance is its goal. Each scream, each riff, each razor-sharp lyric is rooted in one thing deeper: A want to reclaim house, to talk out, and to spark one thing within the folks listening. “Our album is about us discovering the ability in our voice and talking up,” Child Mentioned inform Atwood Journal. “We wish the lairy guitars and messages to empower others and encourage them to additionally communicate up about their very own experiences and maybe create connections with new individuals who might relate.”
That message was clear from the very starting: Child Mentioned went into the studio with a imaginative and prescient for BS – “lairy” guitars, unapologetic vocals, and lyrics that hit exhausting and elevate others up. Working with Boshell and Battelle, they constructed a sound that helps the tales they’re telling: Loud, lean, and unflinching. “BS” could be a cheeky nod to the band’s initials – and an inside joke they discovered “very humorous” – however beneath the playful title is a full-bodied introduction to all the pieces Child Mentioned stands for. “It encapsulates our emotions we’ve had on our musical journey to this point,” they clarify, “and represents who we’re, our life experiences, and what we stand for.”
Lairy. Highly effective. Energetic. That’s how Child Mentioned sum up their debut, they usually’re not improper. BS explodes with the type of high-octane power and uncooked, no-f*’s-given perspective that recollects the bratty brilliance of Avril Lavigne, the wit and chew of Moist Leg, the theatrical aptitude of The Final Dinner Social gathering, and the alt-pop punch of The Aces. It’s a sound that doesn’t ask for house – it takes it – mixing traditional rock instincts with fashionable edge and unapologetic emotion. Whether or not they’re snarling or hovering, Child Mentioned be sure you know precisely how they really feel, they usually make rattling certain you’re feeling it too.
From the stinging sass of “Candy Discuss” to the throat-ripping ferocity of “Hate Me,” BS is bursting with anthems that don’t maintain again.
“Candy Discuss” opens the album with a sneer and a shrug, concentrating on late-night liars and half-hearted flirts who discuss large and ship nothing. “We’re simply attempting to have some enjoyable,” they sing, realizing full nicely how rapidly that phantasm breaks. The monitor balances its sharpest strains with a playful twist: “Began on Monday and it ended on Friday / ‘Trigger we received bored on the fourth and the fifth was a delicate goodbye.” It’s charming, savage, and effortlessly cool – the type of opener that struts as a lot because it stings.
On the brash bruiser “Imply Girlz,” Child Mentioned commerce candy for spiky, taking intention at conformity and cruelty with a burst of bratty, pop-punk brilliance. “This track is about not being ashamed of our variations,” they clarify. “The ‘Imply Girlz’ are boring anyway – thank God we’re no copycats.” That rallying cry pulses by each hook, from the biting sarcasm of “That’s so fetch” to the unshakable defiance of “Thank God I’m not you.” It’s pure fireplace for anybody who’s ever felt pushed to the sidelines – a banger that dares you to face out louder.
“123” could be probably the most deceptively catchy monitor on the album – a brilliant, bouncy, tightly-wound takedown of poisonous management and possessiveness. “It’s about realizing this individual will not be good,” they are saying, “regardless of others considering that they’re – and having the power to say no.” Over pounding drums and a singalong-ready refrain, they problem warning after warning: “Now I’m supplying you with the depend of three / Transfer away, it’s your final warning.” The lyrics punch by with readability and confidence: “You’re not particular, simply delusional / Dwelling life prefer it’s fictional.” “123” is charming, charged, and deeply empowering – pop-punk with a spine.
Then there’s “Hate Me” – a scorched-earth anthem that dials all the pieces as much as eleven. Jess Pal explains, “It’s about dealing with the negativity and rejection we’ve skilled and channelling that frustration into one thing highly effective. We’re telling the world we’re not going anyplace, it doesn’t matter what anybody thinks.” From the very first verse – “Each time you’re speaking right down to me / ‘Trigger you want a lift on your vanity” – the monitor seethes with fury and self-possession. The refrain is constructed to burn: “You’ll love me? Oh I’ll make you hate me / So you may’t shake me.” It’s loud, savage, and unforgettable – the sound of somebody strolling by fireplace and popping out stronger.
“Lifeless to Me” delivers one more intestine punch – an impulsive, no-apologies anthem for drawing the road and never trying again. It’s about that last snap, when somebody crosses into what you are promoting one too many occasions and will get minimize unfastened with out ceremony. The guitars rip, the vocals seethe, and the emotion by no means wavers. It’s catharsis in its purest type – the sound of selecting your self, even when it’s messy.
For Child Mentioned, a number of moments on BS rise above the remaining. The riff in “Lifeless to Me” is a specific favourite – a jolt of adrenaline that kicks the monitor into overdrive – nevertheless it’s the aching, pressing ending of “Take The whole lot” that they return to most. “The determined guitars on the finish are so filled with emotion,” they share. That track, a slow-burning reflection on giving an excessive amount of and getting nothing again, incorporates considered one of their favourite lyrics on all the album: “Whenever you’re wanting, I’ll give my all.” It’s a line that sums up each the heartbreak and coronary heart behind all the pieces they make – a reminder that this band offers nothing lower than all the pieces.
BS is a uncommon debut: Totally shaped, fiercely felt, and sonically fearless.
There’s not a single throwaway second right here – no filler, no fluff. Each monitor comes armed with one thing to say, and Child Mentioned be sure you hear it loud and clear. It’s the type of document that shakes you out of your stupor and reminds you why rock issues – why quantity, vulnerability, and voice nonetheless imply one thing. As they put it finest: “All of us have a voice, so don’t be afraid to make use of it!”
Expertise the complete document by way of our under stream, and peek inside Child Mentioned’s BS with Atwood Journal as Veronica and Jess Pal take us track-by-track by the music and lyrics of their debut album! No filler, no fluff — simply straight-up BS, the best way it’s meant to be.
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:: stream/buy BS right here ::
:: join with Child Mentioned right here ::
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Stream: ‘BS’ – Child Mentioned
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Candy Discuss
“Candy Discuss” is about ready on somebody who will not be well worth the wait, what makes you lots of very nice guarantees, however you already know they’d by no means comply with by. You realise you have been simply entertaining an concept and don’t have to waste your time.
Imply Girlz
“Imply Girlz” is concerning the folks basically who disgrace others for being totally different. This track is about not being ashamed of our variations and celebrating it because the ‘Imply Girlz’ are boring anyway so thank god we’re no copycats.
123
“123” is a couple of possessive individual with the mindset of ‘if i can’t have you ever, nobody else can’’ and in an effort to preserve it that means, they attempt to management and intervene in any alternative you must discuss to anybody else. It’s about realising this individual will not be good, regardless of others considering that they’re and having the power to say no.
Burn
“Burn” is concerning the wrestle of psychological well being points. It’s for everybody who seems like they’re alone and who seems like they don’t seem to be sufficient. It’s a track of hope to indicate you there may be gentle on the finish of the tunnel. It’s based mostly off what others, like my household, have instructed me however I by no means believed so I wished others who’re struggling to listen to it in case nobody has instructed them.
Hate Me
“Hate Me” is about individuals who deal with you badly, for instance, making your achievements really feel inferior and attempting to embarrass you in entrance of different folks to make them really feel higher about themselves as a result of in actuality they’re consumed by the truth that others may discover you extra attention-grabbing and thrilling than them. Subsequently, by placing you down it makes them really feel superior. This track reveals that regardless of their efforts, I do know myself and there may be nothing they’ll do or say to alter that, moreover, doing nicely is the most effective type of revenge. In the event that they need to hate, I’ll give them one thing to hate.
Lifeless to Me
“Lifeless to Me” is about when somebody steps over the road and really feel they’ve the appropriate to share their opinion on what you are promoting. It is usually concerning the impulsivity of wanting to chop folks out of your life as quickly as they cross the road, with out a second thought.
Take The whole lot
“Take The whole lot” is concerning the feeling of passing by life carrying a gray lens. It’s about feeling such as you’re giving your all while others are simply taking and regardless of all of your effort, no matter you do is rarely ok. “Take The whole lot” reveals the exhaustion of attempting for others although they’re abandoning you.
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© Lawrence Hughes
an album by Child Mentioned
