Padre Guilherme is rewriting the rulebook of melodic techno along with his debut EP ‘Veneremur Et Adoremus’, launched by way of Lux Aeterna Data. Identified for bridging sacred custom with club-ready depth, the Portuguese artist elevates his mission to full inventive flight alongside Italian duo Ebmath, vocalist Liliana Sofia Coelho, and the angelic Pequenos Cantores de Amorim e de Laúndos choir.
The opening monitor, Ave Maria (Unique Combine), takes Caccini’s timeless work and reimagines it for contemporary dancefloors. Lush pads swell beneath crystalline vocals, whereas driving percussive layers create a euphoric tension-release that feels as pure in a cathedral because it does in an Ibiza after-hours. Coelho’s supply pierces by the combination with reverence, whereas the youngsters’s choir provides a transcendent dimension hardly ever felt in membership music.
On Adoramus (Unique Combine), Padre Guilherme leans into hypnotic minimalism, weaving devotional chant right into a wealthy tapestry of techno rhythms. It’s a monitor that rewards persistence, constructing with an understated pulse earlier than breaking right into a sweeping melodic finale. The place Ave Maria feels celestial and uplifting, Adoramus is contemplative and immersive — the yin to its yang.
Ebmath’s fingerprints are everywhere in the challenge, their mastery of atmospheric sound design and retro-inspired textures lending depth to the EP’s religious ambition. Along with Padre Guilherme’s imaginative and prescient, they’ve crafted a launch that sits on the crossroads of formality and rave, meditation and momentum.
With appearances at Afterlife in Ibiza, Medusa Competition, Zamna Chile, and even underneath the watchful gaze of Cristo Redentor in Rio, Padre Guilherme has confirmed that techno can transcend its boundaries. ‘Veneremur Et Adoremus’ redefines the area the place religion and digital music collide.
