Wednesday, June 25, 2025
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New Nationwide Youth Orchestra of Canada Rising Composer In Residence Nicholas Denton Protsack


Composer and cellist Nicholas Denton Protsack (Picture courtesy of the artist)

The Nationwide Youth Orchestra of Canada (NYO Canada) and the SOCAN Basis just lately introduced the appointment of Nicholas Denton Protsack because the 2025 Rising Composer in Residence.

A cellist and composer, the position will likely be one thing of a homecoming for Protsack, who carried out and toured with NYO Canada in 2011 as a young person, and because it seems, caught the primary spark of his ardour for composing.

NYO Canada’s CEO Christie Grey stated in a press release, “We’re excited to have Nicholas be part of the NYO Canada fold once more on this new capability. His growth from participant musician to commissioned composer is the proper reflection of our function of selling Canada’s musical expertise by way of their creative careers.”

Nicholas Denton Protsack: Composer-Cellist

A local of Kelowna, BC, Nicholas Denton Protsack earned each Bachelor’s and Grasp’s levels from the San Francisco Conservatory of Music, and just lately accomplished his PhD on the Victoria College of Wellington in New Zealand.

The award-winning composer and cellist’s work is ecologically impressed, and sometimes options notated in addition to recorded media, and experimental improvisation. His compositions have been carried out in North America, Europe, and in New Zealand. Commissioned works embody items for New Zealand’s Stroma Ensemble, Toronto Summer season Music, and American Prize-winning Ensemble for These Occasions. In 2023, he received each first and second prizes within the SOCAN Basis Younger Composers Awards, and in 2021, took house a BMI Basis Scholar Composer Award for a chunk for cello and digital media which he composed, carried out and recorded.

As a musician, Nicholas tends to work throughout the discipline of chamber music, and he’s a founding member of Moth Quartet in New Zealand, and Canadian-based teams Branchroot Ensemble and Sounds Like Issues. He has additionally carried out as a soloist with the Okanagan Symphony Orchestra and the San Francisco Conservatory Orchestra. He’s the founder and creative director of Whatnot Data, an impartial music label.

Composer and cellist Nicholas Denton Protsack (Photo courtesy of the artist)
Composer and cellist Nicholas Denton Protsack (Picture courtesy of the artist)

Q&A

When did you resolve to turn out to be a composer? Was it all the time a part of your intentions on the subject of music?

Though I started my musical journey with cello and piano classes, composing was all the time one thing I partook in alongside my research. It started as a pastime, however by the point I used to be midway by way of my undergrad, I spotted it had turn out to be a slightly all-consuming pastime. After placing in some critical thought, I concluded that I couldn’t think about a profession in music with out composing taking a entrance seat.

What affect did enjoying with the NYOC have in your early profession?

My first residency with NYO Canada truly performed a significant position in growing my curiosity in composition. Throughout that summer time (it was 2011), I used to be uncovered to many new works of music, musical views, and new details about the opposite devices of the orchestra. Apparently, each time I used to be uncovered to one thing new from a college member or peer, my first thought was often about how I might apply that concept to my very own, authentic music.

It’s humorous reflecting on this and questioning why I didn’t decide to being a composer once I was nonetheless in my teenagers!

One other crucial takeaway from the expertise was in fact the friendships and connections I made with my friends — lots of which have continued to at the present time. As an illustration, in 2021, I co-founded the ClassicalValley Chamber Magic Pageant within the Okanagan Valley with Cameron Crozman, who I met throughout my second 12 months with NYO Canada.

How may the expertise (of being a former NYOC member) affect the way you compose for the ensemble?

I believe it has positively given me some insider information in regards to the capabilities of the orchestra. Writing for a typical youth orchestra requires a good quantity of strategic pondering, because the inexperience of the gamers can have an effect on their capability to execute extra advanced musical concepts.

NYO Canada, nevertheless, is an uncharacteristically sturdy youth orchestra, as its members typically go on to be a few of Canada’s prime skilled musicians. Moreover, the programming typically contains a number of the most difficult commonplace orchestral repertoire on the market — repertoire that requires a substantial amount of private observe. So the same ethos is usually utilized to the commissioned work.

It’s an actual privilege to put in writing one thing I do know will obtain such detailed and dedicated consideration from such a gifted group of younger artists.

Your work is described as being ecologically impressed. How does that affect the music you write?

This can be a barely troublesome query to briefly summarize. There are lots of methods during which my work creatively attracts upon elements of the pure world; I truly simply accomplished a dissertation on this very subject!

Talking usually, nevertheless, there’s a complete world of creativity that exists past merely mimicking sounds from nature: melodic contour and concord can be utilized to mimic the shapes and hues of landscapes, scientific knowledge from the pure world might be simply mapped onto musical notation, discipline recordings and even real-life sounds or supplies straight from nature might be included into musical practices. The probabilities are limitless, actually.

The underside line of this for me, nevertheless, is that I view many components of music as being essentially ecological, and even many components of ecology as essentially musical; accordingly, the purpose of my language as an artist has typically been to intensify these options in order that anybody can understand and expertise them.

What are you able to inform us in regards to the piece the NYOC will premiere this summer time?

With out giving every thing away, it’s a work that will likely be impressed by atmospheric phenomena, the evening sky, and what might be discovered within the mysterious, liminal surroundings between earth and what lies past.

I see this as a metaphor for the numerous methods during which human pondering has wanted to adapt and try in the direction of new and unexplored territory as know-how, AI, and communication have begun to quickly develop in scope.

Paradoxically, I additionally see the subject material of the evening sky as touching upon an historic sense of marvel that people have all the time possessed about who we’re and what lies past our world. In some ways I see this as a unifying characteristic that shines by way of in instances of uncertainty; whereas each place on earth has its personal stars and atmospheric traits, there’ll all the time be not less than some shared options irrespective of the place you go.

NYOC 2025

The Nationwide Youth Orchestra of Canada Chamberfest takes place from June 15 to 29, adopted by the Orchestral Institute from June 30 to July 17 this summer time. After that, they hit the highway, and audiences will have the ability to hear Nicholas Denton Protsack’s commissioned work, together with different repertoire, on their 2025 Tour, taking the orchestra from Toronto to Victoria from July 18 to August 3.

  • Discover out extra about NYO Canada [HERE].

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