Swiss indie pop band Comfortable Loft dive deep into vulnerability, longing, and emotional launch on their radiant six-track EP ‘Fashionable Roses,’ an achingly stunning file full of heat, whimsy, and soul-stirring sincerity. Atwood Journal sits down with frontwoman Jorina Stamm for an intimate track-by-track unpacking of affection, life, and the little moments that linger.
Stream: “Depart the Mild On” – Comfortable Loft
“You depart the sunshine on… You retain the sunshine on with the water within the pot…”
The kettle hums and the candle burns with the load of what’s been left behind. It’s a whisper with the load of a shout – a second of humanity at its rawest and realest. Comfortable Loft’s Fashionable Roses lingers in these in-between moments – between holding on and letting go, between what we are saying and what we imply, between who we have been and who we’re turning into. It’s a file that holds house for the sweetness and ache of human connection. It’s reminiscence; it’s reflection; it’s want. It’s the love, and all the things else, that lingers lengthy after the final goodbye.
Comfortable Loft’s newest EP is a dreamscape of intimacy and emotion – light but gutsy, layered in heat and vulnerability, with melodies that shimmer and lyrics that sting. Launched in late April by way of [PIAS] and self-produced by the band, Fashionable Roses explores the emotional landscapes we navigate once we attain for closeness: The enjoyment of affection, the sorrow of distance, the strain of retaining and untethering. And but, these songs don’t simply replicate these sacred moments; they reside in them, respiration life into the grey areas of relationships and the silent areas between us. Without delay melancholic and radiant, this EP is a softly stirring triumph: A fearless expression of feeling in all its messy, magnificent types.
Comfortable Loft are a Swiss indie pop band whose music hums with tenderness, pressure, and a quiet type of bravery. The five-piece – comprised of Jorina Stamm (vocals/guitar), Lukas Kuprecht (drums), Marius Meier (bass), Sarina Schmid (keyboards), and Simon Boss (guitar) – first made a reputation for themselves with 2023’s self-released debut LP The Get together and the Mess, a dreamy and diaristic full-length produced by Grammy-nominated Gianluca Buccellati. With out a label or press marketing campaign, the EP discovered its approach to KEXP and the NACC charts, paving the best way for a breakout 12 months of worldwide pageant appearances and sold-out membership reveals.
“We find it irresistible nonetheless, nevertheless it’s onerous,” frontwoman Jorina Stamm says of the band’s one-year-old debut. “We discuss it so much… We’re very blissful to launch new music as a result of we need to present all these things we’re doing now. Subsequent week we’re going into the studio once more, so it’s all coming collectively… Nevertheless it’s nonetheless very particular to have that first album. Now we have such nice reminiscences doing it with our producer, and it was the kickstart! It simply felt very particular to start the challenge with that album – it began the challenge, so we’re very blissful about that.”
Now signed to [PIAS], the band return not simply with momentum, however with intention — Fashionable Roses marks a turning level, cementing Comfortable Loft’s voice as each emotionally resonant and artistically distinct.
This EP might sound seamless, however its coronary heart lies in spontaneity and give up. “We recorded it two years in the past already,” Stamm tells Atwood Journal. “Proper after we did our first album, we went straight into the studio once more and recorded these six songs, and it felt very releasing to take action.” With their debut already out on this planet, the band gave themselves permission to experiment. “We had music on the market, individuals knew what we’d been doing, and now we may simply type of do stuff and check out stuff out. That was a really cool expertise for us. We did all of it by ourselves, and it was a lot enjoyable.”
“We didn’t actually have a imaginative and prescient,” Stamm provides. “It was simply capturing all the things that we’re experiencing now… attempting out stuff and simply enjoying music, actually.” There was no idea, no overarching narrative – simply snapshots of life and feeling, woven into music. “It was six tales out of my life, put collectively on an EP.”
That looseness turned a power. Songs like “Le Parfait” arrived unfiltered and unforced. “It was a sketch, and we simply stored it,” Stamm remembers. “We tried to re-record it in a studio, however we couldn’t seize the second, so we stored it because the demo model. We didn’t actually care. We simply stored it that and we launched it. We have been simply freely doing stuff and saying, ‘Okay, that’s what it’s.’” That intuition – to belief the second – is what provides Fashionable Roses its magnetic heat: It’s a doc of feeling first, polish second.
That spirit of intention and openness lives within the EP’s title itself. “It truly comes from a line from the music ‘Paper Aircraft,’ which works, ‘Fashionable roses are paper planes,’” Stamm explains. “In ‘Paper Aircraft,’ the story is about eager about what may fashionable makes an attempt of exhibiting affection be like. What are the trendy roses of right this moment? And eager about that theme we thought, what if our songs are fashionable roses as properly? What if these EP songs are fashionable roses, fashionable methods of exhibiting affection or simply sharing one thing about your self?”
Every of Fashionable Roses’ six tracks looks like its personal small gesture – a hand prolonged, a coronary heart uncovered, a thought become melody.
It’s the fragility and tenderness of Jorina Stamm’s voice that hits first on EP opener (and former Atwood Editor’s Choose) “Depart the Mild On”: Sizzling on the mic, she aches inside and outside as she elegantly dances between the brutal and the attractive, the highs and lows of a love that ought to’ve ended – however received’t. “Depart the Mild On” is a fantastically dramatic reverie; a supply of consolation and catharsis, ardour and ache, channeled right into a soul-stirring seduction. The music swells in tender waves – hypnotic and haunting – as Stamm sings of missed timing, lingering reminiscences, and the sunshine that by no means fairly goes out. “It’s that nice line between one thing good and one thing you by no means need to return to,” she shares. “You retain on wishing for that individual to simply flip the sunshine off.” Without delay sleek and gutting, this opener builds a bridge from the band’s previous to its current – grounding Fashionable Roses within the emotional warmth of lived expertise.
In contrast, “Can” beams with tender, summery gentle – a heat and wistful music about vulnerability and the need to attach. “It’s type of me on this imaginary first date,” Stamm says. “I’m telling this individual all the things about myself. I’m attempting to create space for connection.” There’s a deep tenderness right here, as Stamm opens the door to closeness whereas acknowledging how onerous it may be to let others in.
The sweetly spirited “Paper Aircraft” takes that very same longing and twists it into a unusual, cinematic reminiscence. Set in Paris and sporting an invigorating drum beat, it turns a quiet second of awkward solitude right into a daydream of human connection. “I didn’t actually really feel good at this live performance, so I went at the back of the membership and checked out this flyer, and there have been directions to fold a paper airplane on it. I began folding the paper airplane, and this man came to visit and flirtatiously requested me what I used to be doing… I didn’t actually really feel good, so I shut it down, however after this second I actually began eager about the state of affairs – what if the paper airplane may have been a contemporary rose?” Stamm muses. “What different conditions do I do know of individuals exhibiting affection and connecting via stuff?” The observe floats and flutters with classic textures and a dreamlike vibe, completely embodying its origin story.
The temper turns sharper on “Ohm,” a simmering breakup music brimming with frustration and guilt. “It’s very indignant and really giving feeling responsible and placing guilt on one another,” Stamm says. “Letting all of it out in a music after which feeling higher about it.” Like its title, “Ohm” hums with pressure – a uncooked electrical present of unresolved emotion.
“Le Parfait” trades construction for softly stirring sensation. Extra mantra than music, it loops a single longing phrase – “you don’t need to go” – till it turns into hypnotic. “It’s simply repeating this over and over,” Stamm explains. “It’s a temper about longing.” That looseness is intentional: a cheeky, aching ode to not wanting the night time to finish.
However you don’t
you don’t wanna go
no you don’t
you don’t wanna go
I believe I actually know
I believe I actually know…
The EP closes on “Pop Up,” a deceptively playful observe that captures a deeper battle. Based mostly on an actual dialog about gender and feminism, Stamm steps into a number of views to replicate on the complexities of listening, talking, and being heard. “It’s very tough, as a result of I do get each opinions,” she says. “It’s onerous to be a girl typically. And it’s onerous to be a person understanding that it’s onerous to be a girl typically.” The result’s as susceptible as it’s thought-provoking – an surprising finale that leaves the door open for extra questions, extra conversations, extra roses to bloom.
As for favorites, Stamm finds it onerous to decide on – and possibly that’s the purpose. These songs aren’t simply tracks; they’re moments, moods, and reminiscences.
“It adjustments day by day,” she laughs. “‘Depart the Mild On’ was so enjoyable to play reside… and now that ‘Paper Aircraft’ is out, I simply really feel like, okay, now we now have a dancey observe, and that’s very enjoyable as properly. After which I hearken to ‘Le Parfait,’ and I’m like, oh, that’s so cool that we did that.” Proper now, she says, it’s “Paper Aircraft” – however ask her once more tomorrow, and the reply would possibly change.
Although Fashionable Roses wasn’t born from a inflexible idea, Stamm’s lyrics carry weight – typically playful, typically poetic, all the time intentional. One in all her favourite strains comes from “Paper Aircraft”: “Fashionable roses are paper planes. Fashionable speaking is texting, proper? My roommate rented a non-public jet. What’s life?” It’s a line that lands someplace between confusion and attraction, capturing the strangeness of recent reference to a wink. “It type of captures my confusion about how we’re doing issues these days,” Stamm displays. “It’s not a really emotional or melancholic lyric – it’s a enjoyable one.”
As breathtakingly stunning as its title subtly suggests, Fashionable Roses is a present – a heat, wistful, and wondrous EP that invitations listeners into Comfortable Loft’s world of delicate truths and emotional launch.
These six songs don’t scream for consideration; they sit with you, ebb and move with you, and maintain you shut. There’s a quiet confidence in how this band strikes – one which doesn’t chase perfection, however as an alternative embraces feeling, move, and the unfiltered intimacy of constructing music with individuals you belief. With its lush soundscapes, heartfelt lyrics, and soulful attraction, Fashionable Roses is greater than only a file; it’s a reminder of how highly effective it’s to share your coronary heart, and the way therapeutic it may be to listen to another person’s.
“I believe what I would love for individuals to suppose after they hear Comfortable Loft… I actually like that we now have the idea of a band,” Stamm displays. “It’s not very ordinary these days anymore – 5 individuals doing music collectively and we’re deciding all the things collectively and writing all the things collectively and having plenty of enjoyable collectively whereas touring and making music. I didn’t suppose that it was a particular factor earlier than, however I’m listening to increasingly more that it’s uncommon. I like the concept of making this house the place it ought to all be very enjoyable and plenty of understanding and being your self.”
As for what listeners would possibly take from Fashionable Roses, Stamm retains it fantastically easy: “An important factor for me – or the factor I hope most for – is that persons are connecting with our music. I simply want for individuals to attach with it… and simply have enjoyable whereas listening to it. I actually love listening to music on a regular basis, so I hope persons are taking our music and strolling to the bus station or driving a automobile or no matter. Yeah, I want for that.”
She provides, “We weren’t attempting to please anybody with our music, however we’re blissful to please if the receiver looks like, okay, I like what you’re doing now.”
Expertise the total file by way of our beneath stream, and peek inside Comfortable Loft’s Fashionable Roses EP with Atwood Journal as Jorina Stamm goes track-by-track via the music and lyrics of her band’s newest launch. A really beautiful 20-minute journey, it’s a heartfelt, handmade assortment that invitations us to sit down with our emotions, savor the softness, and discover magnificence within the in-between.
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:: stream/buy Fashionable Roses right here ::
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Stream: ‘Fashionable Roses’ EP – Comfortable Loft
:: Inside Fashionable Roses ::
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Depart The Mild On
“Depart the Mild On” is a type of breakup songs while you break up however one individual or possibly each, they’re nonetheless leaving the sunshine on a bit. You’re probably not letting go and also you’re probably not completed with the entire state of affairs and also you type of depart slightly gentle on nonetheless on your feelings. And it’s type of about that feeling and attempting to seize this second the place you’re not prepared to totally let go, however you recognize it’s best to. And it’s all about that, leaving the sunshine on, leaving slightly water within the kettle to boil. And you retain wishing for the opposite individual to show the sunshine off, however you continue to see it and it’s in every single place.
Can
“Can” is a really private music for me as a result of I are likely to shut down when persons are getting too shut. And “Can” is type of attempting to inform the story about me being very open minded and really outgoing and really not like, me in a typical relationship. And it’s type of taking me on this imaginary first state and I’m telling this individual all the things about myself and I’m attempting to create space for connection and yeah, all the things that I’m combating is, is just not there anymore. Yeah, it’s type of that feeling about wishing to be extra open – to let individuals in.
Paper Aircraft
“Paper Aircraft” was truly a music that we wrote very quick. We wrote it in a day, I believe. And it was completed immediately. And it type of, the lyrics are about an expertise I had whereas being in Paris and I used to be at a live performance and at this membership known as Supersonic, which we truly performed after writing the music as properly. And I didn’t actually really feel good on the live performance and I went at the back of the membership and checked out this flyer and there have been directions to fold a paper airplane on it. And I type of began doing this folding the paper airplane. And there was a man coming over and flirtatiously asking me what are you doing and why are you folding the paper airplane? And I didn’t actually really feel good so I shut it down and was like, oh properly it tells you to fold the paper airplane. Why are you asking me this? Have a look at the flyer. However after this second I actually began eager about the state of affairs and I used to be eager about what if I used to be into the state of affairs. And what if the paper plan may have been a contemporary rose? And what different conditions do I do know of individuals exhibiting affection and connecting via stuff, I suppose. And all these bizarre tales got here to my roommate on his first date. He rented, not a non-public jet, however a helicopter. And I used to be eager about all these things and placing it in a music and it’s known as “Paper Aircraft.”
Ohm
With the title, we have been truly very lazy, I suppose, as a result of we had all these working titles and we didn’t get to the purpose to alter them. We have been too late. So, they’ve these bizarre names, and a few of them have these bizarre names that stayed. However “Ohm” is definitely additionally type of like “Depart the Mild On” – it’s a little bit of a breakup music, however this time spherical it’s very indignant and really giving feeling responsible and placing guilt on one another and being very indignant and feeling betrayed and, yeah. Letting all of it out in a music after which feeling higher about it.
Le Parfait
“Le Parfait” might be the music which is most simply type of a temper and it’s not very a lot a typical music. It doesn’t have very… It’s not structured. It’s all the time the identical phrases saying you don’t need to go. And it’s possibly a cheeky method of claiming, I do know you don’t need to need to depart tonight. And it’s simply repeating this over and over and it’s a temper about longing.
Pop Up
We weren’t very certain if we’d put “Pop Up” on the file, truly. I believe that’s why it’s the final music on it, as a result of we determined final on this one to place it on. We actually favored the pre-production of it, however we weren’t very certain about it after we recorded it within the studio as a result of we didn’t fairly really feel like we bought the vibe. However now listening to it, it’s very enjoyable once more. And the subject of the lyrics could be very… What do you say? It’s type of about listening to a dialog with a girl and a person and their buddies, however they’re speaking about feminism. And it’s very, very a lot about misunderstanding and about not feeling heard. And I’m like, because the narrator of the music, I’m taking all these completely different views of this dialog that I’ve heard. And it’s very tough, as a result of I do get each opinions, and I do get that it’s onerous to be a girl typically. And it’s onerous to be a person understanding that it’s onerous to be a girl typically. The music is absolutely about that dialog and about how troublesome, I suppose, for each of the edges it’s to grasp.
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an EP by Comfortable Loft
