Rachmaninoff: Piano Concerto No. 3 (Dwell from the 2022 Cliburn Competitors) (Decca)
★★★★☆
Rachmaninoff had giant palms and large fingers. He wrote concertos for himself to play. The third, in D minor, had its US premieres in Carnegie Corridor with Walter Damrosch conducting the primary run, Gustav Mahler the following. The concerto proved conspicuously harder than its predecessors to realize with precision. A worry issue set in amongst lesser pianists.
Rachmaninoff, although, was a beneficiant man, fast to acknowledge when others performed higher than he did. He most popular Vladimir Horowitz’s recording of the D minor concerto to his personal. Others who imprinted their take within the work down the ages embrace Emil Gilels, Vladimir Ashkenazy, Evgeny Kissin, Martha Argerich, Stephen Hough, the eccentric Australian David Helfgott, Lang Lang and Yuja Wang.
And, now now we have Yunchan Lim from South Korea. Yunchan burst to consideration, aged 18, on the 2022 Van Cliburn Competitors when the conductor Marion Alsop was seen on video with tears in her eyes as he approached the tip. That is the audio launch, devoid of emotional distractions.
I’m impressed at how subdued Yunchan sounds on the opening, and the way, from that cautious begin, he builds a gripping narrative. The gradual motion exhibits comparable restraint, a denial of straightforward listening. Solely within the finale does the soloist let rip, daring the Fort Value Symphony Orchestra to maintain up. I caught a few tough patches within the accompaniment however not sufficient to disturb my enjoyment.
The sheer fearlessness of Yuncham’s taking part in is wondrous to behold and the best way he shades the moods is altogether particular person. This may increasingly not match the diabolism of Horowitz or Ashkenazy, however it’s a efficiency each Rachmaninoff lover should personal.
We’re privileged hear to witness the beginning of a star.
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