Unplayed Tales… in 40 Fingers (Hyperion)
★★★☆☆
German composers don’t know learn how to have enjoyable. Suppose no additional than Mozart’s Musical Joke, or Beethoven’s fat-shaming of the violinist Schuppanzigh. Not humorous in any respect. To not point out Schumann and Brahms, or the feeble anti-critic jokes made by Wagner, Mahler and Richard Strauss.
So it was in a cautious mind set that I approached a frisky album of unknown items for a number of pianos and orchestra by Mendelssohn, Moscheles, Schubert and Liszt. 4-hand is the place musicians share in-jokes. Was it a enjoyable hour? Really, not removed from it.
The primary piece, by Mendelssohn and his pal Ignaz Moscheles, was written for a London charity gala, and you may think about what they’re like, all black tie and décolletée. The work takes a theme by the lethal critical Carl Maria von Weber and turns it into a celebration recreation, a sort of musical chairs for idle composers. When the theme wears out, the comedy duo play little riffs across the lack of ability of constipated Germans ever to complete a chunk. A Grand Duo by Moscheles, written all on his personal, exhibits why his mighty popularity died about ten minutes after he did.
Franz Liszt, most likely the best musical propagator the world has ever identified, fell in love with Schubert’s Wanderer Fantasy for solo piano and turned it right into a model for piano and orchestra. The Israeli pianist Alexander Tamir made that two pianos and orchestra. Properly well worth the effort, stuffed with musicality and sudden asides. A nineteenth century chap known as Ernest Pauer turned two marches by Schubert into an eight-hand piano suite. It should clatter unbearably on stage, however with quantity management in your front room works slightly properly.
The pianists concerned on this album are members of the Israeli MultiPiano Ensemble. Their showstopper on tour is Holst’s Planets for pianos and percussion. Now that I’d like to listen to.
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