As John Fogerty begins speaking about his new album, a bemused smile comes over his face. “I wished to name it Taylor’s Model,” he says throughout a latest go to to New York. “I lobbied very a lot to the document firm.”
Whether or not he’s joking or not, Fogerty says his label handed on the concept. Then once more, he had some extent. Onstage at New York’s Beacon Theatre Wednesday evening, in the course of the first of two eightieth birthday celebration exhibits, Fogerty introduced his upcoming LP, Legacy: The Creedence Clearwater Revival Years. Due Aug. 22, the album’s 20 tracks aren’t simply covers of his best-known and beloved songs from his Creedence days. Moderately, they’re painstaking recreations of the unique variations, all the way down to Fogerty’s singing and guitar elements and the unique rhythm part, beginning with “Up Across the Bend” and persevering with by massive hits like “Proud Mary,” “Who’ll Cease the Rain,” “Dangerous Moon Rising,” and “Down on the Nook,” and deep cuts like “Porterville” and “Bootleg.”
“I’m nonetheless sort of ready to listen to suggestions,” Fogerty says. “However the first 5 or 6 folks I’ve talked to who’ve listened to all of it say it sounds ‘brisker.’ Perhaps what they’re saying is it’s clearer, or the constancy is best or one thing? That could be one thing I hadn’t even counted on, however there’s extra dimension to it, extra depth.”
Musicians have been releasing note-for-note covers of their older materials for many years now, however for Fogerty, the thought arrived two years in the past. With a push from his spouse and supervisor, Julie, he lastly acquired a majority curiosity within the publishing rights to his Creedence track catalog in 2023. It was Julie, he says, who then recommended a remakes album, though Fogerty admits he was skeptical. “I didn’t need to have something to do with that,” he says. “However then as time went on, I assumed, ‘Okay, I’ll stick my toe within the water and see how that’s.’”
That course of began with Fogerty and his son (and guitarist) Shane digging deep into the Creedence recordings. With the assistance of remoted audio tracks — often known as “stems” — they may hear individually to every vocal and instrumental half, together with each side of Fogerty’s singing, in an effort to create a precision copy. In that regard, Fogerty insists the venture is totally different from his earlier remakes albums: the all-star duets venture Wrote a Tune for Everybody and 2020’s Fogerty’s Manufacturing facility, the place he recut Creedence songs with members of his household. “In these instances, I suppose I used to be merely singing the songs, whereas this time across the concept was to, I suppose they name it ‘re-record,’” he says. “As an alternative of going off on a tangent of ‘Oh, let’s do a folks music model’ or one thing, the concept was to sound carefully like the unique.”
After reducing a number of preliminary backing tracks with a band — Shane on guitar and session veterans Bob Glaub on bass and Matt Chamberlain on drums — Fogerty began by including a brand new vocal onto the remade “Proud Mary.” The second proved pivotal to the venture. “I’ve been singing ‘Proud Mary’ for over 50 years, and I developed a whole lot of dangerous habits singing it, with no reference to the unique,” he says. “However right here was the second the place I spotted, ‘John, that wasn’t shut sufficient. You’re not likely doing the track. You’re doing a “drive-by” model.’ I needed to relearn the track, with all of the inflections in all the identical methods. It’s like folks in New York don’t go to see the Statue of Liberty, as a result of it’s proper there. Shane was capable of level out many instances, ‘Dad, I believe that half is a bit more sophisticated than you’ve been doing it.’”
That course of continued as extra songs had been recreated over a interval of two years. Fogerty realized he was singing “Lookin’ Out My Again Door” with what he calls “extra syncopation” at his live shows. “The way in which I had recorded it, as a result of it was most likely inside a number of weeks of me writing it, it was sort of straight,” he says. “Type of corny, you realize? Then we listened to ‘Born on the Bayou,’ and it turned a complete new factor. I stated, ‘Man, I like this higher than the outdated manner,’ as a result of the elements had been very very similar to a jam band, however a extremely good jam band. Not ready without end for one thing to occur.”
Including to the revisiting-the-past course of, Fogerty even performed the identical Rickenbacker guitar (with “Acme” hand-painted on its physique) that he’d used throughout his Creedence days. He’d given it away within the Seventies and had a possibility to purchase it again within the Nineties, he says, for $40,000. However he handed on the time, partly for monetary causes and partly emotional ones. It’s no secret that Fogerty’s relations along with his former bandmates, in addition to the late Fantasy Data head Saul Zaentz, have been fraught, clouded by lawsuits and onerous emotions. So the reminiscences connected to the guitar had been, he says, too painful to revisit. “I used to be harm. I used to be broken,” Fogerty says.
A decade in the past, although, Julie Fogerty secretly purchased the guitar again (for an undisclosed sum) and gave it to her husband as a Christmas current, after which he says the therapeutic started. “I began as a child stuffed with pleasure doing music, however in the course of the time of Creedence, and shortly after that, it turned actually not joyful,” he says. “The thought [behind Legacy] was to reconnect and really feel that manner about every thing once more. The man who couldn’t even stand to have a look at his personal guitar within the Nineties or past would have by no means carried out that.”
Even when he didn’t use a Swiftian title for the album, Fogerty says Legacy is nonetheless related to the best way Swift started remaking her albums after her again catalog was offered to Scooter Braun. (Equally, Fogerty and his former bandmates in Creedence don’t personal the masters of their albums.) “I understood her plight,” he says. “She’s had an exquisite profession, and, in fact, had saved some huge cash and was a serious touring artist, so she was fairly capable of pay no matter quantity the individual that was going to promote it. I actually felt for her on the time, as a result of the man was promoting it to anyone else. That form of factor has actually occurred to me. It’s very very similar to what Saul Zaentz may do.”
Like Swift, Fogerty does personal the masters of his remakes, which may lead to a monetary windfall if Legacy sells or streams properly. (Tellingly, Legacy doesn’t embody the band’s hit covers of “Susie Q” or “I Heard It By means of the Grapevine,” neither written by Fogerty.)
Nonetheless, a query hovers over Legacy: Since these renditions faithfully mimic the recordings that longtime followers know, why would they want them? “That’s a fantastic query, as a result of I requested that myself,” he says. “However there’s a few issues. Primary, there’s most likely no likelihood on the planet I’ll ever have any a part of the possession of the outdated masters. That is sort of the Taylor Swift half. However one other factor is, I believe there’s a pleasure fairly evident within the music that might not be there within the authentic variations.”
In Fogerty’s thoughts, sure songs have additionally benefited, particularly lyrically, from the passage of time. “Once I hearken to the completed vocal on ‘Lodi,’ it actually sounds just like the man who lived that half, whereas I’m unsure the man who sang it the primary time did,” he says.
In 2021, Fogerty re-emerged with the gospel-style “Weeping within the Promised Land,” his first newly written track in eight years. On the time, he advised Rolling Stone that an album would probably comply with, but it surely by no means did, and he now says followers anticipating such a document could also be dissatisfied.
“Do I’ve a bunch of songs written and recorded?” he says. “No, I don’t.” However he provides that collaborating in final month’s American Music Honors, the place Bruce Springsteen inducted him, proved to be inspiring — particularly after Jackson Browne led among the musicians in a model of “Take It Simple”: “On our drive again to the lodge with my spouse, I stated, ‘I’m like 10 ft off the bottom. I need to go write songs and document them!’”
For the second, although, Fogerty chooses to enjoy Legacy and its shock announcement at his birthday present. “Whenever you’re 80 years outdated, you lastly are given the particular key to the dominion,” he says. ”I suppose you are able to do no matter you need. And I made a decision that is what I wished to do, to offer myself a gift.”
