Thursday, September 18, 2025
HomeMusicFavourite One-Album Wonders

Favourite One-Album Wonders


The idea of a One-Hit Marvel is virtually as previous because the charts themselves, however what in regards to the albums that hit it and stop? Single albums from bands that modified our worlds after which went silent? AllMusic selects a few of our favourite information that rose up from nowhere after which by no means noticed a real follow-up.


Below the Affect of Giants – Below the Affect of Giants

If Beck, the Bee Gees, and Tame Impala created a supergroup, it would sound one thing like Below the Affect of Giants. Funky, disco-kissed rock designed for shaking and shimmying, this one-and-done outfit got here in sizzling in the summertime of 2006 with the minor indie-dance hit “In The Clouds,” making a fast splash earlier than shifting on to greater and higher issues as AWOLNATION. These dozen tracks share a throwback nostalgia that is irresistible, modernized by slick manufacturing and amplified by Aaron Bruno’s heavenly falsetto and primal howl. There’s not a weak monitor right here, however highlights embrace “Heaven Is Full,” “Ah Ha,” and “Faces.” – Neil Z. Yeung


Album CoverNight time Time, My Time – Sky Ferreira

There is not any scarcity of single-album facet initiatives and spin-offs to spotlight – hey, Duran Duran offshoot Arcadia! – however one nice debut that has but to be adopted up is Sky Ferreira‘s Night time Time, My Time. Ferreira perfected and anticipated a decade of alt-pop mastery alongside key collaborators like producer Ariel Rechtshaid and songwriter Dan Nigro (who’d go on to function the musical right-hand for Olivia Rodrigo and Chappell Roan). However long-promised follow-up Masochism is beginning to really feel like Chinese language Democracy for millennials: proposed singles got here and went in 2019 and 2022, and final 12 months’s terrific “Leash” was recorded individually for the A24 movie Babygirl. I will be delighted if a concrete launch plan (with or with out one other “Free Sky Ferreira” banner flying over L.A.) will get introduced the identical day as this publishes, however till confirmed in any other case, she’s each the most recent and biggest of 1 album wonders. – Mike Duquette


Album CoverWho’s Touchdown In My Hangar? – Human Switchboard

Cleveland’s Human Switchboard had a potent cult following within the Midwest and East Coast – a lot in order that followers put out a reside bootleg in hopes of encouraging a correct label to present them a shot. However their mix of Velvets-informed cool, storage rock squawk, and Midwestern angst by no means attracted the bigger viewers they deserved, and their sole studio album, 1981’s Who’s Touchdown In My Hangar?, bought nice evaluations however wasn’t heard a lot exterior of their fan following. A number of many years later, it is nonetheless price listening to – the nervous fringe of Robert Pfeifer’s vocals and guitar connects strongly with Myrna Marcarian’s Farfisa organ and moody vocal options (it is a disgrace her dour tackle Petula Clark‘s “Downtown,” a staple of their reside reveals, did not make it to the LP), and Ron Metz’s drumming is environment friendly, expressive, and solidly rocking. “In This City” is a robust take of life in a dying neighborhood, “Fridge Door” chronicles a damaged relationship with an intimacy that is nearly uncomfortable to witness, and “Books on Seems” is a parody of male braggadocio that swings onerous sufficient to move for the true factor. Human Switchboard deserved rather a lot higher than their circumstances gave them, however Who’s Touchdown In My Hangar? (which was reissued on vinyl by Fats Possum in 2019 and is accessible on streaming companies, trace trace) is a quick, fascinating glimpse of an excellent band’s transient second within the highlight. – Mark Deming


Album CoverRites of Spring – Rites of Spring

For a glimmering second whereas D.C.’s hardcore scene was rapidly turning into post-hardcore, Rites of Spring exploded into being with their eponymous 1985 debut. The band existed for less than three years, and performed solely a handful of reveals, however the eruptive group enjoying and pressing vitality of those songs virtually invented emo on the spot. Man Picciotto’s seething, breathless vocals and lyrics someplace between summary poetry and blunt emotional bloodletting drove an album that captured with music the unusual, unnamable center floor of early maturity. Rites of Spring made this one official, supernaturally expressive album and a handful of miscellaneous different releases earlier than evaporating simply as rapidly as they’d arrived. Instantly after disbanding some members joined forces with people one other D.C. space one-album surprise band, Embrace, to color a way more detailed image of the private and the political with their subsequent group, Fugazi. – Fred Thomas


Album CoverThe La’s – The La’s

If we disqualify Failed Flowers, an inexplicably obscure noise pop mission helmed by our AllMusic colleague Fred Thomas with Anna Burch (significantly, go try their 2016 eponymous album), I’ve to go along with a way more apparent decide in The La’s. I can nonetheless spin this 1990 self-titled LP and really feel the giddiness of listening to it for the primary time. The growling and howling “There She Goes” is an all-timer that belongs alongside infatuated classics like “Night time and Day,” “The Woman from Ipanema,” and, for the matter, Matthew Candy‘s “Girlfriend.” – Marcy Donelson


Album CoverRo Sham Bo – The Grays

Amongst energy pop’s many short-lived heroes, few have been extra completed than the Grays, a four-man wrecking crew that produced a single, meticulously-crafted rock album in 1994. Consisting of Jellyfish vets Jason Falkner and Jon Brion, together with Buddy Decide and Dan McCaroll, they have been a bunch of L.A. craftsmen whose idealistic purpose was to launch a democratic collective that includes authentic songs by every participant, supported by communal multi-instrumentalism. Creatively, they succeeded, although Ro Sham Bo bought poorly and the 4 egos have been unable to stay in concord for greater than a 12 months or two. – Timothy Monger


Album CoverClor – Clor

Ever since its launch 20 years in the past, I have been an enormous fan of the only real, self-titled album by Clor. There’s an simple connection between the band’s brilliant, buzzy, electronic-infused rock and the “angular” acts of the early 2000s like Futureheads, however their ties could also be even stronger to the brand new wave and post-punk heyday of the late ’70s and early ’80s (one other period that spawned a legion of 1 album wonders). These days, Clor looks like a predecessor to Omni and different tightly wound acts of the 2010s and 2020s. Due to the plentiful hooks blended in with the jagged riffs and bleeping synths on “Love + Ache” and “Outlines,” the album has turn out to be one thing of an unsung basic. Each time I play it for the uninitiated, it will get the very best response: “Who is that this?” – Heather Phares


Album CoverTiger Lure – Tiger Lure

Launched in 1993, Tiger Lure‘s debut album sounded so assured, so tight, and so tuneful that almost all knowledgeable listeners little doubt anticipated classics for years to come back. Certain, the band’s major songwriter and singer, Rose Melberg, grew to become an enormous consider a number of bands after this (the Softies and Go Sailor being probably the most celebrated), however Tiger Lure launched solely an EP and a break up single after this shining second of ferocious indie pop. Melberg’s clear expertise for songwriting, her harmonies with bandmate Angela Loy (a high-school good friend who additionally performed guitar and sang), and the twin-guitar assault from the duo made the case for melodic indie pop performed nearer to the speed of punk rock. The album continues to be ready for its full recognition as a ’90s basic; hopefully, Numero Group or another good reissue label will do the job quickly. – John Bush


Album CoverJacob’s Optical Stairway – Jacob’s Optical Stairway

The dance music world is full of one-off aliases, so possibly it is dishonest to selected a short-lived facet mission of a widely known act relatively than the work of somebody who really solely gave it one shot after which dipped. Jacob’s Optical Stairway was the work of Marc Mac and Dego from 4Hero, and it continued within the path of their darkish, jazzy masterpiece Parallel Universe, however in a brighter, sunnier path. It is also probably the most overtly Detroit techno-influenced work they’ve ever finished, even sporting a Juan Atkins visitor function on “The Fusion Components (The Metamorphosis),” which accelerates from electro-funk to intricate drum’n’bass. – Paul Simpson


Album CoverTinted Home windows – Tinted Home windows

Listening to in regards to the Tinted Home windows lineup earlier than the album’s launch gave the impression of a seize bag Mad Libs of alt energy pop underrated sidemen. A man from Fountains of Wayne, the dude from Smashing Pumpkins who is not Billy Corgan, the mustachioed chain-smoking drummer from Low-cost Trick, and that child from Hanson (reMmmBopmember them?), however from the opening notes, the document rockets off the launch pad with chugging fuzzed-out riffs and sweetly crooned “Whoa Whoa” choruses. The architect of the mission was the sadly-missed Adam Schlesinger who made a profession out of mining the Candy sounds of the ’70s to create pop gems within the CD period, however the entire band fires on all cylinders blasting via 11 songs in 35 minutes. It is kind of good that there was by no means a follow-up, making this album a singular pearl within the alt-rock ocean. – Zac Johnson


Album CoverTony Fruscella – Tony Fruscella

There are many tragic jazz musicians, however by way of expertise vs. normal obscurity Tony Fruscella is likely to be one of the crucial indelible. A Greenwich Village-native, Fruscella was a lyrical bop stylist whose dry tone and melodic strains belied a troubled life. Like a protagonist pulled straight out of a pulp novel or movie noir, Fruscella honed his chops in a military band, earlier than touchdown again in Manhattan within the early ’50s the place rubbed gabardine shirt shoulders with luminaries like Lester Younger, Gerry Mulligan and Stan Getz. By all accounts he was a star on the rise, drawing favorable comparisons to each Chet Baker and Miles Davis; the latter of whom his enjoying most intently brings to thoughts. All of that is evoked on his 1955 debut for Atlantic Information, I will Be Seeing You (additionally launched eponymously). Produced underneath the invite of label homeowners brothers Neshui and Ahmet Ertegun, the album is simply the form of nocturnal small group delight you’d hope for with Fruscella digging into ballads, blues and requirements. His enjoying is a musical mirror of the album cowl photograph the place he is nestled as much as his horn along with his eyes closed; marked by a gentle assault and a poignant, light immediacy that grabs you. Curiously, he is paired all through with tenor saxophonist Allen Keen, an equally gifted improvisor whose personal life performs much more like a Hollywood film. Listening to cuts like his opening rendition of “I will Be Seeing You” and the blithe “Blue Serenade,” it is simple to think about Fruscella ascending to the quilt of Downbeat journal or exhibiting as much as play a featured spot in a film or TV present. But, stardom would stay elusive for Fruscella whose profession was rapidly derailed within the late ’50s as a result of drug and alcohol abuse. He died in 1969 largely forgotten. Regardless of a handful of periods that popped up in later many years, Fruscella’s album continues to hang-out in its singularity; a bittersweet portrait of a second in time. – Matt Collar


Clearly, these are only a fraction of the terrific albums from bands that solely emerged from the sand as soon as and have been by no means seen once more, however there have to be extra. Tell us what we missed.

RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Most Popular

Recent Comments