Few can flip different post-rock guitar tracks right into a cinematic reel of catharsis, however Farehaven can depend himself among the many stringed savants who pour salvation by audio system. In Consider Me Now, David Sizemore doesn’t veil anguish or inflate ego; he strikes a steadiness between uncooked expression and refined composure. His vocal presence carries the punch of Grohl’s primal supply, tempered by the melodic sensibility of Incubus.
The guitars are the place the emotional deluge really hits. Solid within the fireplace of Sabbath-style weight and formed by the intricacies of progressive rock, they collapse into moments of stripped-back vulnerability earlier than swelling with compositional intent. Every motion within the observe is a pivot in the direction of one thing extra private, extra perceptive. You’re not merely listening, you’re absorbing each shift in momentum by your pores and skin.
Farehaven, based in 2010 by Sizemore, has by no means fixated on following alt-rock conventions. He’s already made an impression with airplay on over 40 radio stations, a nomination from Indie Music Digest for Album of the 12 months, and protection from publications together with Music Connection. His lyrical method, each pressing and unpretentious, gives no boundaries between the message and the listener. There’s weight, nevertheless it by no means turns into burdensome.
Consider Me Now is now accessible on all main streaming platforms, together with YouTube.
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Evaluation by Amelia Vandergast
