1991 could already be acquainted to die onerous followers, however on February 7, 2025, will probably be formally obtainable for buy on CD and vinyl. Shortly earlier than the discharge, frontman Greg Ackell spoke with AllMusic from a recording studio, the place the band was engaged on a brand new album. He discusses 1991, the band’s return, and ideas on the music scene immediately.
Let’s leap proper into 1991. What was the method like unearthing this time capsule of an album?
“Effectively…I am beginning to simply contemplate it an album, only in the near past. It was not an album ever. These have been a set of songs that have been demos on the time. We recorded them on rented reel-to-reel eight tracks, and we recorded them largely in our dorm rooms.”
“After we recorded the primary demo, we did not know precisely what we have been going to do with it. I wasn’t actually making an attempt to get us exhibits as a result of I did not even know how you can ship it to a membership. I used to be actually younger, 18, 19 years outdated, and I did not have an actual sense of the Boston golf equipment or the reside scene. However what I did have have been information, and on the again of these information have been document firm names. They have been largely in England: Creation Data, 4AD, Manufacturing unit Data. I simply put these cassettes within the mail and despatched them over to London. I did not actually count on a lot again, however inside per week or so, we have been getting calls from these labels. And subsequently what occurred was that someone—her title was Colleen Maloney at 4AD—she despatched a kind of cassettes to Melody Maker and NME. They have been the equal of, I suppose, Pitchfork or Rolling Stone now. Individuals lived and died by them.”
“A pair weeks after, I received a name from our lawyer and he mentioned, ‘You are a single of the week in Melody Maker,’ and I did not know what the fuck he was speaking about as a result of we did not have a single. We did not have a document deal. We did not have an album. We had nothing. However Colleen Maloney had despatched that to the press, and the press received a maintain of it and actually thought plenty of it. They needed to make up a label title, as a result of they weren’t purported to overview demos. I feel it mentioned Pentatonic Data or one thing.”
“Whereas we have been determining who to signal to, we determined to go forward and make one other demo. The primary track on that demo was ‘Daymom,’ and once we lastly signed our document deal, a couple of yr had passed by. While you’re that age, you are—we have been anyway—shifting ahead and continually evolving every single day. So once we had this document deal, we have been purported to document our first album. I went to the band and mentioned, ‘Let’s simply write a brand new album. Let’s depart these things behind us.’ It wasn’t that the fabric wasn’t good, it is simply that we have been already in a unique place. So that is what grew to become Delaware, our first album, and these demos simply remained frozen in time. We left them behind in subsequent years.”
“There have been cassettes on the time that went out. I keep in mind we even gave them out to children at exhibits. Through the years, as soon as YouTube was invented, somebody determined to add them. It received some consideration. We received so many requests, and there was a lot curiosity in it that we simply determined to revisit them—to remix them barely.”
“It’s extremely onerous to inform that we remixed something. There’s not loads to remix while you’re speaking about eight tracks. However we labored with buddy of the band’s referred to as Max Rose, man from Seattle that was with us within the early ’90s. After we got here again, lots of people got here out from the woodwork. Individuals have been inquisitive about serving to us out in the way in which they might. Max labored onerous on these to get the constancy to a degree that the band was extra comfy with releasing, and our label, Wharf Cat, was very from the very starting to launch these things. However as soon as I began accepting that we have been going to do it, it was higher. Being from to this point previously, it did not seem to be a precedence to me. However we now have a fan base, and other people need what they need, so we’re glad to be lastly placing it on the market in some sort of kind that we’re comfy with.”
“We referred to as it 1991 as a result of, effectively, the songs have been written and recorded in 1991. I additionally very very similar to that ’19’ and ’91’ are the mirror picture of each other. Clearly, this band has a factor for numbers; we referred to as ourselves Drop Nineteens. So I like that sort of symmetry.”
That is superb. Had you been serious about revisiting the album earlier than?
“It happened when the band resurfaced…wanting on the band’s historical past and what there was curiosity in. However for all these years, no, there was no curiosity. I imply, I used to be conscious of issues on YouTube. Individuals would say to me, ‘Oh, I discovered this on YouTube, Greg, is that this yours?’ and I might be like, ‘Yeah,’ however I by no means favored listening to it a lot in that setting. The audio is fairly terrible. Once more, they have been posting that from cassettes. That was the one manner. Nobody ever had ADATs or something.”
Do you keep in mind any of your inventive inspirations for 1991? Which of these nonetheless maintain true immediately, and what has been inspiring you latterly that did not earlier than?
“In these days, I feel there have been two albums—two bands specifically that I keep in mind. Certainly one of them was My Bloody Valentine Is not Something. Maybe that is apparent. In case you hearken to our music, it is definitely spinoff of it. The second was Spacemen 3‘s The Excellent Prescription. These two albums simply appeared very cool to me. I used to be additionally a fan of Sonic Youth‘s Daydream Nation; that is sort of a detailed third. I used to be additionally a giant Cocteau Twins fan rising up.”
“I used to be speaking to Neil [Halstead] from Slowdive. I keep in mind once we met 30 years in the past, in London, we had each been conscious of one another’s bands. When he learn the overview in Melody Maker, he thought that it gave the impression of his band. And the identical goes for us.”
“What we realized was that we weren’t copying one another a lot as we have been each impressed by the identical sorts of music—the identical information, and rising up roughly the identical age. We simply have been on totally different sides of the Atlantic. It was sort of humorous revisiting that with him. Slowdive, to their credit score, largely caught by their sound, whereas my band sort of advanced into different issues. You do not at all times know what you are going to get with Drop Nineteens. That is simply our nature. So, the 1991 materials does replicate our shoegaziest interval. It was definitely new to us, determining how you can sound like that. It was an thrilling time to be discovering how you can make these sorts of sounds.”
“However in Delaware, we moved barely away from that. It is somewhat bit much less blown out, rather less ethereal. It nonetheless has what we name ‘the feels,’ nevertheless it was sort of a step away from shoegaze, despite the fact that we hear on a regular basis that Delaware is a shoegaze album. I at all times depart it to different folks to explain what style we’re. I am proudly shoegaze, however I am not expressly a fan of it. There’s a complete fashionable shoegaze scene, significantly in America, that I am nonetheless studying about after over a yr of being again.”
“All types of issues transfer me now. I really like the band Deerhunter. I feel they’re actually sensible. There is a band referred to as Spoon that I feel is possibly the most effective band on this planet; I’ve studied every part they do. I am a giant fan of LCD Soundsystem and Automotive Seat Headrest. These are the bands that I hearken to loads. I am nonetheless a fan of My Bloody Valentine. I am excited they’re coming again.”
Each My Bloody Valentine and Slowdive, like Drop Nineteens, are bands from the ’90s that had resurrections some two or three a long time later. There’s additionally been an enormous resurgence within the fanbases of those ’90s bands attributable to TikTok. What are your opinions on these sorts of rebirths in music? How do you view your band’s position within the scene?
“Effectively, it is solely been a service to us. After we determined to come back again, I wasn’t even fairly conscious of this fan base. I am form of tuned out. I did not have Spotify on the time; I do now. I am not on social media. But it surely was fortuitous, and it was a welcome factor as soon as we have been again as a result of it signifies that there’s an viewers. However we’d have come again and recorded Exhausting Mild whether or not there was an viewers or not. The resurgence wasn’t the rationale for doing it, however in fact it makes a distinction.”
“I wasn’t conscious of some issues. I did not know if we’d be capable of document and determine issues out and play reside. I did not know if folks would present up. The final time I performed on stage was within the early nineties. I might look out on the viewers, they usually have been all folks my age. I referred to as them children again then, ‘trigger I used to be a child, you realize, 18 to 22, 23. However the unusual factor now’s that we play reside, and I am taking a look at that very same age group. It is uncanny, actually. There are folks from that period within the viewers, however I see them extra on YouTube movies of the band, some bald heads within the again. I do know that these are the folks which might be extra our period. Everybody in Drop Nineteens nonetheless has their hair, however we’re accepting of the truth that we’re all getting older. However the children within the entrance are the sunshine.”
“I do not know what makes one thing go away, and I do not know what makes it come again. I’ve observed that the guitar sound in shoegaze has develop into sort of ubiquitous. It is in nearly every part; it is in pop music, it is in hip-hop—I imply, hearken to Earl Sweatshirt. I name it “woozy guitars.” I keep in mind Kevin Shields [of My Bloody Valentine] saying to me that since you’re detuning a chord, the ear and the mind is striving to listen to the chord that you simply’re not delivering. So by definition, it is sort of a romantic device since you’re promising one thing and never delivering it. I imply romantic within the literary sense: one thing misplaced, one thing not fairly achieved, one thing unrelinquished. There’s one thing about that sound that could be very seductive. And I feel that individuals are lastly catching on to that, which is cool.”
1991, again when it was nonetheless often known as Mayfield, was a extensively traded bootleg amongst plenty of your followers. Figuring out that many listeners could have already heard among the tracks or are accustomed to them, what are you most hoping that listeners will take away from this album?
“Effectively, I hope that it satisfies them. It wasn’t simple for us to place this factor out. After we first began to revisit it, we printed up some vinyl ourselves and offered them on the exhibits we have been taking part in. We received plenty of backlash for that. Individuals have been saying, ‘You’ll be able to’t simply launch it and solely promote it at your exhibits. What if I am unable to get to the present?’ However the issue is that there is a cash part right here. Printing up 5,000 albums and distributing them just isn’t one thing that I can simply whip out my pockets and pay for. It was by no means this band’s place to maintain this music from folks, however you would be stunned on the sort of anger that will get on the market. So the one factor I hope 1991 does is simply make folks joyful. We recognize the love, however we’re doing our greatest, and never every part is sort of really easy. We get requests to play in each metropolis, and we will solely play the place we will play.
Possibly it is as a result of I am somewhat bit new to social media. I am delicate to studying something unhealthy, ever, which is why I do not even have passwords to our socials. Steve, invariably, my companion on this, will find yourself sending me stuff, and I get upset. The overwhelming majority of every part has been very optimistic about us, however I do know that there was positively a factor about 1991 the place folks have been upset after they thought that they weren’t going to have the ability to get it. Effectively, now they’ll.”
“As for the music itself, I take pleasure in listening to it now too. It sounds higher than it ever did. I keep in mind after I received the primary copy of it, I put it on the turntable, and I used to be like, ‘Fuck, this sounds nice.’ I do not know why that is a shock to me, however each time I get a product in my hand…typically I am dissatisfied. I used to be not with this. I assumed it sounded actually good. So I hope folks take pleasure in it.”
After the band broke up, you have been very satisfied that you’d by no means make music once more. And after the discharge of White Costume and Nest, you mentioned that it may be the very last thing the band would ever launch. Each of those statements turned out to be unfaithful, and now you are making a brand new album. What else do you keep in mind for the longer term? Are you again for good?
“We’re again for now. And…in the long run of this guide that Tom Faix wrote about us, there have been two traces in there that sort of simply summed up my emotions on the time. The primary one was considered one of Lana [Del Rey]‘s: ‘It was such a scene, and I felt seen.’ The second line was mine on the track ‘Nest,’ and it goes, ‘And for the love of God, terrible, I am so glad that I regarded again.’ There’s at all times the chance in something that that’ll be the very last thing you do. So I do not know if the band is again for good, nevertheless it’s again for now. Paula [Kelley] simply moved again East, which is sort of thrilling to us as a result of she was in L.A. all these years. We’re wanting ahead to writing and recording this subsequent album. We’re in all probability going to play a couple of festivals this yr.”
Do you suppose there’s extra stability in making music now that you simply’re older? Or much less so due to the suggestions from social media coming in from each course? Is there nonetheless some stress?
“There’s at all times stress, nevertheless it is not from exterior. The stress is from inside. Writing music is not enjoyable for me, or recording it or something. Every so often I’ve an okay time on stage, a second the place I am like, ‘Oh, that is sort of cool,’ and I can take pleasure in it, nevertheless it’s not significantly enjoyable. What it’s is rewarding. I do not imply that in a financial sense, as a result of it is truly removed from that. However I do it as a result of it is a fulfilling factor to do with one’s life—to go and create one thing, to attempt to make one thing stunning. It is a luxurious, frankly, at the present time. That was true after I began, and it is true now. It is at all times a wrestle, nevertheless it’s value it.”
“Now that we’re again, it is develop into a part of me once more. And I hope I am talking for the remainder of the band right here, too; there is a little bit of tumult that occurs while you depart one thing behind. Change just isn’t simple. In order troublesome as it’s, it is a part of me that I am not fairly able to abandon but. I do know that once we do put this down, it will be for good. I’ve had protestations earlier than, however we’re not going to attend one other 20 years to come back again. That is the second run, and once we’re achieved, that will probably be it.”
I learn in a previous interview that coming again to the band and to music after so lengthy has felt nearly dreamlike. Do you are feeling such as you’ve woken up but?
“I really feel sleepy is what I really feel [laughs]. Yeah. Nonetheless a bit within the stupor. It is like a previous life, or like waking up and remembering a dream. And the unusual factor now’s that after I get up from goals, I typically nonetheless need to remind myself that I am doing this. Like, ‘Oh, we have a present tonight. I’ve received to get to the studio.’ I nonetheless get up within the state of all these years the place this was not a part of my life, so I’ve to remind myself that it isn’t a dream, that I’ve truly received someplace to be. I’ve received a monitor to put down. I’ve received a sound test at 3 PM. All this stuff are my life now. Now, I am beginning to dream about my life earlier than I got here again.”
To buy 1991, go to Wharf Cat information.
