Critiques – Spiral Crypts – BLABBERMOUTH.NET

DISEMBODIMENT‘s “Mutated Chaos” EP was considered one of 2021’s loss of life metallic highlights: a dirty, five-song belch of grotesquery from the imply streets of Sherbrooke, Quebec. 4 years on, the band have lastly delivered a debut album, and it’s completely fucking foul. At a time when there is no such thing as a scarcity of killer new loss of life metallic bands with rising discographies, “Spiral Crypts” instantly stands out. From its garish, surreal paintings, to the gut-wrenching guitar tone that turns each considered one of these songs into caustic treacle, that is the unsavory and unacceptable face of contemporary, old-school loss of life metallic. It should make you pull a face. You already know the one.

Eternal Spew Data have a behavior of unearthing bands like these. DISEMBODIMENT are rooted in the old-fashioned, however impervious to its restrictions. Consequently, songs like “Morbid Infestation” impact an amalgam of weirdness and custom that might present endless potentialities. Presaged by buzzing bugs and the sound of somebody having a extremely terrible time, it fades purposefully into view, dripping with malevolence, a lavish feast of brutish riffs with hideous, lysergic undertones.

Pregnant with existential dread, these are songs that discover the depths of the mortal soul and the high-quality line between majesty and insanity. The monstrous “Stygian Overture” says it finest: “Beneath the shroud of loss of life / A universe unseen / Descend into insanity / The place cadavers pile to relaxation”. No matter is occurring in DISEMBODIMENT‘s lyrical world, it appears to be mirrored by the mutant extremity of the music, which snaps from traditional, old-school brutality to slithering, psychedelic sludge within the blink of a watch, abandoning a bloody snail path of damaged enamel and white-hot bile.

“Spiral Crypts” is filled with nice moments. From the title observe’s descent into excruciating, twisted doom, and the short-sharp skull-bash of “Putrification”, via to the way in which that “Larval” slithers out from the depths of someplace horrendous, soundtracked by evil synths, after which bubbles up like vomit for a critical, caveman loss of life metallic clobbering, it is a bizarre journey with loads of sights to see. It ends with “Sentient Inorganic Mess”: a scurrilous rush of drug-mangled BOLT THROWER riffs and psych-metal needling, it ends with a pattern from “The Factor” that might hardly be higher suited to DISEMBODIMENT‘s fetid, sanity-challenging world of abominable loss of life. Wonderful work, monsieurs.