Each Friday, Atwood Journal’s workers share what they’ve been listening to that week – a music, an album, an artist – no matter’s been having an impression on them, within the second.
This week’s weekly roundup options music by Joshua Idehen, The Lathums, Indira Might, G’emma, Ski Staff, Marc Del Giudice, Projective, Tropez, LimaVii, Wine & Warpaint, Analise, Suki Summer season, Teagan Johnston, BATTLEFLAGG, miso808, Winter Gardens, 80purppp, and bdrmm!
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observe WEEKLY ROUNDUP on Spotify 
:: “Might Be Eternally” – Joshua Idehen ::
Mitch Mosk, Beacon, New York
Joshua Idehen can at all times be counted on to channel highly effective life classes and deeply human truths into his artwork. Urgent play on any considered one of his songs is like opening your third eye to the broader world; he impressed, provoked, and enthralled all through final 12 months’s solo debut Study to Swim, a Mixtape, and he does so one once more on his newest EP Mum Does the Washing, launched November 8th. For 15 electrifying minutes, the Stockholm-based poet and spoken phrase artist opines on the ebbs and flows of society on a micro and macro scale – reflecting on misogyny and ladies’s “roles” within the fiery title observe, exploring the depths of affection in “Might Be Eternally,” unpacking how all of us cope in numerous methods on “Ways for Survival,” and giving his personal compelling spin to a Speaking Heads traditional, along with the Social Singing Choir, in “As soon as in a Lifetime.”
Whereas I might write a full thesis-length article on the good thoughtfulness and artistry at work on “Mum Does the Washing” – and I simply may, sometime – immediately I wish to deal with “Might Be Eternally,” whereby Idehen tells two tales of actual human sacrifice within the service of affection.
No one let you know real love comes with a value
My darling has the wanderlust
itchy toes her head’s gone smooth
Goes for slightly wander will get misplaced
cellphone on standby
However will she keep in mind to name
She noticed our eldest daughter
Her face she couldn’t recall
The leaves fell more durable that autumn
“I’ve these two tales: One was of the immigrant who manned the bogs at a bar I labored at. He was a dentist again in his hometown and was creating wealth in London to ship again for his daughter’s faculty: He was so happy with them!” Idehen says. “The second was of a neighbour, an Outdated Kenyan caring for his Swedish spouse who was slowly slipping away from him. These tales train me a few love that goes past something I’ve personally felt. I’m in awe of them, and this music is my means of honoring them.”
However once in a while, she returns
her face alight with a smile
she takes my hand, says I is likely to be gone for some time
when will you go, I ask hrr, when will you come again
And she or he replied any second now
She takes my arms and holds them heat
Possibly tomorrow
she pulls me in and holds me shut
May very well be ceaselessly, yeah
How lengthy we keep like that, who is aware of
Via the fervour, the emotion, the heat, and the load of his phrases, Idehen captures the uncooked energy of affection in our lives, and the way others’ service and sacrifice set us up for achievement. It’s a music about generational progress, in a means, and a reminder to honor and provides again to those that have given us a lot. Whereas the total Mum Does the Washing EP is indubitably definitely worth the hear, “Might Be Eternally” is a straightforward and enchanting standout.
:: “Lengthy Shadows” – The Lathums ::
Mitch Mosk, Beacon, New York
The spectre of misplaced love hangs heavy on The Lathums’ heavy and aching “Lengthy Shadows,” an emotionally charged indie rock music that takes its viewers by a soul-stirring wringer of uncooked feelings. Darkish, dynamic, and brooding, the most recent single off the English band’s upcoming third studio album Matter Does Not Outline (out March 7th, 2025 through Trendy Sky) dwells within the acquainted depths of loss and longing, sorrow and struggling as frontman Alex Moore (who recorded his vocals multi functional take) channels the agony inside right into a brutal type of magnificence.
Forged my soul into the depths of oblivion
Go away me in strife constrain the knife,
Shakespearean
Complete bereft cascading dying
when love has left
I wish to die, don’t wish to combat,
go away me behind
I’m very peculiar in my methods
God is aware of
So very peculiar in my methods
“‘Lengthy Shadows’ is a music about deep emotional battle and the complexities of affection,” Moore tells Atwood Journal. “I’m expressing emotions of despair, isolation, and concern of change after shedding love, evoking a way of tragic struggling. Regardless of the darkness, we recognise love’s enduring presence, although it casts lengthy shadows over our life.”
“The music explores the twin nature of affection and its means to each heal and harm. Via metaphors of sunshine, shadow, and transcendence, we discover hope in embracing vulnerability and seeks freedom by love.”
The concern of change, it’s in my bones.
It’s consuming out and it grips my soul
Consuming love, would you prefer to see
the debt you owe?
Though my lips are shifting
nothing helpful appears to come back out
On love lane, when it’s all hanging out
For all it shines on, love casts,
lengthy shadows, lengthy shadows…
Whereas there’s doubtless extra ‘mild’ to be felt on Matter Does Not Outline, right here we’re roughly consumed by darker forces till the music’s remaining minutes, when Moore and bandmates Scott Concepcion (guitars), Ryan ‘Duz’ Durrans (drums), and Matty Murphy (bass) explode outward in a fiery, dazzling, and cinematic fervor. Searing overdriven guitars riff and roar as Moore howls by his personal upheaval, swapping English for French with daring tenacity.
In a phrase, it’s exhilarating. The Lathums’ “Lengthy Shadows” is poetic, poignant, and highly effective – heart-wrenching in the easiest of the way, evoking a common emotion that cuts to the core of our human expertise.
I sense the sunshine, the spark,
the supply, it nonetheless may burn
We’ll focus love, like mild by glass,
to assist the flip.
We’ll rise by warmth,
into the solar, past the sky
And if I ought to fall,
I’ll fall with love, and I’ll get by
For all it shines on, love casts
lengthy shadows, lengthy shadows…
:: Imaginary Issues – Indira Might ::
Danielle Holian, Galway, Eire
Indira Might’s Imaginary Issues is a mesmerizing journey by sound and story, a group of 5 tracks that really feel as private as they’re common. Mixing parts of jazz, indie, and digital music, the EP showcases Indira’s unparalleled means to merge genres into one thing completely her personal. From the psychedelic shimmer of “don’t feed the sharks” to the uncooked vulnerability of “childsplay,” she invitations listeners right into a world that’s equal components haunting and hopeful. Her voice, sultry and arresting, serves because the thread that ties these sonic explorations collectively, guiding us by moments of introspection and lighthearted whimsy.
What makes Imaginary Issues actually extraordinary is its emotional resonance. Tracks like “STOP” and “you & charlie” steadiness hypnotic manufacturing with deeply human narratives, creating an expertise that lingers lengthy after the ultimate notice. Whether or not it’s the playful bossa nova aptitude of “dance tonight” or the poignant exploration of persistent sickness in “childsplay,” Indira’s artistry shines in her fearless strategy to storytelling. With this EP, she doesn’t simply push the boundaries of style; she redefines what it means to create music that connects, leaving little doubt that her star is one to observe.
:: wintersadness – G’emma ::
Danielle Holian, Galway, Eire
G’emma’s wintersadness EP is the musical equal of wrapping your self in a comfortable blanket on a frosty evening. With a voice that appears like a heat hug, the Berlin-based artist blends jazz, neo-soul, and hip-hop right into a sound that’s as easy as scorching cocoa and simply as satisfying. The EP takes you on an emotional journey by the stillness of winter, turning themes of solitude and introspection into one thing unexpectedly comforting. And let’s discuss that standout single, “loopy” – a hauntingly lovely reflection on her relationship along with her father that layers harmonies so hypnotically, you may overlook what day it’s.
However what actually makes wintersadness shine is G’emma’s uncanny means to make the non-public really feel common. Her lyrics are like little snowflakes – distinctive, poetic, and touchdown softly however leaving an impression. The minimalist manufacturing lets her voice take middle stage, the place it belongs, drawing comparisons to icons like Erykah Badu and Amy Winehouse. Whether or not you’re snowed in or simply want a second to breathe, this EP presents the right soundtrack to embrace the wonder in stillness. So mild a candle, press play, and let G’emma information you thru a winter wonderland of soulful sounds.
:: “Me”- Ski Staff ::
Chloe Robinson, California
Ski Staff’s “Me” is an experimental indie pop single that’s wholly hypnotic. The observe is about taking a more in-depth take a look at the function somebody performs in your life and your personal function to them. We regularly consider sure features as being our total id when that doesn’t should fully outline us. The artist shares, “It’s scary to not know who’s in your roster, or who you might be with no explicit individual/job/trait/no matter, and simply go forth into life’s abyss as a human, nevertheless it’s typically higher for everybody concerned to get on with it. Choose your self up, deal with your self, and let all the pieces and everybody else type of settle round you.” The music begins with sensual saxophone then easily transitions to heat, ethereal vocals atop an atmospheric backdrop. The video retains these tranquil vibes flowing with photos of a relaxing sea projected on laptop screens.
Lucie Lozinsk, the brainchild behind Ski Staff, is a songwriter, singer, and producer who concocts delicate and susceptible releases. She is the daughter of musicians, rising up with a recording studio in her yard. If you hear her charming music you possibly can inform she has been honing in on her craft for a very long time. That has led Lozinski to sing with greats like Tony Bennett and Queen Latifa. “Me” shines one other mild on her actually immense expertise.
:: “When All Your Pals Are Gone” – Marc Del Giudice ::
Mitch Mosk, Beacon, New York
Dreamy and dramatic, buoyant and brooding, “When All Your Pals Are Gone” is a seductive, light-in-the-darkness type of soul-pop anthem. Independently launched November 22nd, the third-ever single by New Jersey singer/songwriter Marc Del Giudice is as aching as it’s uplifting: A reminder that behind each (metaphorical) door is one thing new – a terrific unknown stuffed with risk. After all, whereas this fact is evergreen such a hopeful headspace just isn’t; typically, we’re the largest barrier to our personal success, and the very best factor we are able to do once we’re struggling is to get out of our personal means.
“This music captures the battle of feeling remoted whereas watching others thrive, finally conveying a message of resilience and self-empowerment,” Giudice tells Atwood Journal. “I wrote it throughout a time the place I used to be trying to find a brand new starting. It’s at all times laborious when you are feeling alone, however going by that makes you develop as an individual.”
He continues, “The character’s journey from despair to realization emphasizes the significance of private progress and the pursuit of positivity, encouraging listeners to embrace change and hunt down new alternatives even within the darkest instances.”
I can completely see “When All Your Pals Are Gone” changing into a culty type of underdog anthem – a fervent, feel-good reverie beloved by these within the know. Stuffed with uncooked emotion and dazzling vitality, Marc Del Giudice’s new music is one thing to embraced and cherished, driving us to be our greatest selves with out sugarcoating the ache of endings and loss.
:: “Working” – Projective ::
Danielle Holian, Galway, Eire
Irish seven-piece Projective make a radiant entry into the Neo-Soul, Jazz, and Hip-Hop panorama with their debut single “Working.” Already celebrated for his or her electrifying reside performances and dynamic presence on the Irish music scene, the band channels their well-earned popularity right into a observe that feels each polished and deeply emotive. Produced by Cian Sweeney, “Working” opens with a delicate interaction of finger-picked guitar, heat bass, and ethereal vocal harmonies. This sonic delicacy units a contemplative tone, completely framing the lead vocalist’s silky supply and the melancholic fantastic thing about the lyrics. The soundscape swells with a refined rhythm, drawing listeners right into a tranquil but poignant meditation on the struggles of an overactive, anxious thoughts.
At slightly below a minute, the observe pivots dramatically, injecting a drum-and-bass-inspired pulse that electrifies the association with out shedding its introspective core. Layered guitar traces and choral backing vocals enrich the momentum, whereas the evolving grooves embrace influences of gospel, R&B, and hip-hop. This seamless fusion culminates in a breakdown that pairs a sublime rap with the observe’s chilled but vibrant ambiance. “Working” is a daring assertion from Projective, showcasing their means to craft a nuanced, genre-blending sound that feels concurrently up to date and timeless. With such a promising debut, Projective are usually not only a band to observe — they’re a band to observe carefully as they carve out their distinctive area of interest.
:: “Thinkin Bout You” – TROPEZ ::
Danielle Holian, Galway, Eire
Tropez’s newest single “Thinkin Bout You” is a blinding showcase of his eclectic artistry, introduced vividly to life in a visually gorgeous music video directed by Christopher Hill. Mixing indie pop, funk, synth-wave, and R&B, the observe captures Tropez’s signature sound—a nostalgic but forward-looking fusion of genres elevated by GRAMMY-winning producer Ben Allen III’s polished combine. The music’s sci-fi-inspired narrative explores the intersection of affection and know-how, drawing from cultural touchstones like The Matrix and Black Mirror to think about a near-future the place consciousness and digital actuality intertwine. Hill’s video masterfully visualizes this idea, juxtaposing artificial landscapes with human emotion to create an expertise that’s as thought-provoking as it’s aesthetically putting. With its infectious grooves and daring storytelling, “Thinkin Bout You” cements Tropez as a trailblazer in genre-bending music and leaves followers eagerly anticipating his upcoming album.
:: “The Sound of X-Mas”- LiMaVii ::
Chloe Robinson, California
As Christmas approaches, we start to really feel the joyous spirit of the season. There’s heat that fills the air and a way of hope captures the guts. LiMaVii’s “The Sound of X-Mas” is a festive observe that immerses listeners in a wealthy sound of vacation bliss. The passionate piece commences with pizzicato strings, bells and horns crafting the perfect celebratory really feel. Her easy, pop vocals and optimistic lyrics wishing everybody love and happiness makes the music join together with your soul. This infectious launch emits a radiant glow that’s pure magic.
Polish artist Lidia Magdalena aka LiMaVii is a singer, songwriter, dancer, mannequin, and vitality healer. Her mesmerizing music encapsulates these therapeutic vibes. As a child she needed to study to heal from her personal hardships. She reveals, ” After I was simply 13, my mother and father divorced—on December sixth, Saint Nicholas Day. It was a troublesome time, particularly throughout such a season of hope and lightweight. However whilst a toddler, I discovered a strategy to perceive; maybe it was meant to be if it introduced them nearer to true happiness. And in my coronary heart, I longed for happiness too.” The Sound of X-mas” is a collaboration with SaVaa and Miklos Malek (Jennifer Lopez, Anastacia) and with this single she brings extra cheer.
:: “Pleased Xmas (Warfare Is Over)” – Wine & Warpaint ::
Mitch Mosk, Beacon, New York
Oof. Wine & Warpaint’s cowl of “Pleased Xmas (Warfare is Over)” hurts in the very best of the way – and whereas it’s unlikely to be happening many “merry and vibrant” playlists, the Virginia band’s reinterpretation of the John Lennon and Yoko Ono vacation traditional nonetheless feels festive in its personal churning, darkish, and dramatic means.
“I really by no means appreciated this music as a child, however lately I heard an acoustic model of it and realized that it’s a protest music masquerading as a Christmas music,” Wine & Warpaint’s vocalist Brandon O’Neill explains. “That fully reframed the best way I considered it, and it’s been considered one of my favourite Christmas songs ever since. We tried to disentangle its radical anti-war message from its ‘70s aesthetic so {that a} new era can interact with it, and selfishly, so I can hear it the best way I’ve at all times wished.”
“The thought of inward transformation being step one in the direction of outward impression (‘warfare is over, if you need it’) is an concept we’re tremendous inquisitive about as a band and simply provides to our reference to it.”
Wine & Warpaint create an intense area for uncooked reckoning, candid reflection, and even some hope as they marry intimate emotions with heavy energies, finally leaving us with a way of aching and craving as we set our sights towards a brand new 12 months crammed with potential and risk… and ongoing warfare.
:: “Eternally” – Analise ::
Danielle Holian, Galway, Eire
Analise’s newest single “Eternally” is a masterclass in emotional storytelling and sonic evolution, additional solidifying her standing as a rising drive within the alt-indie scene. Seamlessly mixing folk-inspired lyricism with dreamy bedroom-pop manufacturing, “Eternally” transitions from uncooked acoustic intimacy to an ethereal soundscape, showcasing Analise’s means to evoke complicated feelings with ease. Drawing comparisons to artists like Clairo and Adrianne Lenker whereas carving an area uniquely her personal, Analise captures the bittersweet braveness of letting go and forging a brand new path. Her heartfelt vocals and luxurious harmonies create a deeply private but universally resonant expertise, embodying the right steadiness of vulnerability and resilience. “Eternally” is a mesmerizing observe that guarantees an thrilling future for this breakout artist, leaving listeners anticipating what comes subsequent.
:: “Marianne” – Suki Summer season ::
Danielle Holian, Galway, Eire
Suki Summer season’s newest single “Marianne” is a bittersweet gem that appears like a love letter to fleeting summer time romances and the feelings they stir. Suki delivers a observe that’s as haunting as it’s dazzling. Impressed by a quick however intense connection throughout her travels by Europe, “Marianne” captures the elation and heartbreak of a love destined to fade. With lyrics steeped in craving and a nostalgic backdrop of dreamy synths and melancholic guitars, Suki crafts an immersive soundscape that lingers lengthy after the final notice fades.
From the shimmering verses that recall stolen moments to the achingly uncooked vocal supply within the refrain, the music appears like a diary entry set to music. Suki’s storytelling shines as she channels the unhappiness of claiming goodbye and the enjoyment of getting skilled one thing lovely, even when fleeting. The layered harmonies and complicated manufacturing, led by Basil’s musical contributions, completely mirror the duality of sunshine and loss. Suki’s vulnerability, delivered to life with the assistance of recording engineer Neil, resonates deeply, making this observe an anthem for anybody who has felt the sting of an unforgettable goodbye. With “Marianne,” Suki Summer season not solely showcases her musical versatility but additionally her means to show private moments into common experiences, leaving listeners eagerly anticipating her subsequent chapter.
:: “Yearling Feminine” – Teagan Johnston ::
Mitch Mosk, Beacon, New York
You as soon as knew her because the alt-pop artist Little Coyote, and immediately I’m excited to correctly reintroduce Atwood’s readers to Teagan Johnston. The Toronto-based singer/songwriter shed her alias just a few years in the past and has since been releasing probably the most susceptible music of her profession beneath her given identify, daring audiences to get all up of their feels by susceptible, intimate songs that ache inside and outside. Her one and solely single of this 12 months, “Yearling Feminine” is completely breathtaking: A soul-stirring, emotionally charged, and brutally uncooked reflection on how ladies are handled, talked about, and made to see themselves in society.
Skinned my elbow
from simply sitting on the bar
Shifting uncomfortably,
questioning what he was searching for
Stopped on my means house
on the nook retailer
To purchase my love a pack of cigarettes,
undecided which to ask for
After which I danced the entire means house,
screaming “Child why don’t you come over?”
To the tune of Chappell Roan
And I’m in these streets alone,
flipped my center finger
to the crossing mild
the place he as soon as made me run
“I learn a narrative a few younger gray wolf who was tortured and killed at a bar in Wyoming,” Johnston tells Atwood Journal. “Each article described the wolf as a ‘Yearling Feminine’ and I couldn’t assist however take into consideration how tales of abuse are so typically perpetrated in opposition to younger ladies or a ‘yearling feminine’ in animal phrases. I considered how a lot rising up with the cultural narrative that dangerous issues occur to younger ladies has affected me and led me to view myself at all times as prey as an alternative of predator – exemplified on the lyrics, ‘How come nobody ever informed me, I could possibly be scary not solely scared?’”
“In scripting this music, I used to be actually hoping to empower myself to think about myself as a possible risk or predator as an alternative of giving that energy to others, particularly males – who’ve threatened my security up to now. Being afraid has by no means helped me put together for a combat or defend myself; it’s solely left me unable to reside my life, and I hope possibly this music may also assist others really feel stronger and fewer afraid.”
She rises to a fever pitch within the music’s invigorating refrain:
Like a yearling feminine being hunted for prey
Can’t catch me, can’t kill me,
can’t take my love away
For town that loves me
and this boy who loves me too
Can’t catch me, can’t kill me,
however I might kill you
That’s not my daddy, that’s my pony
That’s not my daddy, that’s my pony
How come nobody ever informed me?
I could possibly be scary, not solely scared…
Passionate, poignant, and completely enthralling, “Yearling Feminine” channels ache into empowerment and interior turmoil into interior energy. It’s a surprising show of artistry and songwriting expertise from Teagan Johnston, and a music that will probably be with us for years and years to come back.
:: “Ghosts” – BATTLEFLAGG ::
Chloe Robinson, California
We all find out about nostalgia, a wistful affection for the previous, however have you ever heard of solastalgia? If you happen to Google the time period it’s best described as “the misery folks really feel when environmental change impacts them whereas they’re nonetheless of their house atmosphere.” BATTLEFLAGG’s “Ghosts” is the primary observe off their EP entitled Solastalgia. The moody, synth-driven single transports the listener by a journey of misplaced connections whereas one’s world begins to fade. The dreamy vocals pair seamlessly with the haunting backdrop for a music that leaves a long-lasting impression. The darkish, animated video opens with a person participating in his vices resembling tablets, alcohol and cigarettes. Because the video continues he walks previous acquainted locations just like the health club and lounge. The person additionally speeds down a spiral highway. These distinctive photos create a compelling visible that’s eerily thought frightening.
BATTLEFLAGG is a undertaking of Philadelphia-based singer/songwriter Jeff Hartwig. Fashioned in 2020, it was born out of an age of private, social and political unrest. Hertwig fuses indie rock and synth-pop together with emotive lyrics that minimize deep. When conveying the take away of his music he states, “When listening to those songs unfold, I would like the listener to know, and really feel the ability of, the straightforward moments described inside, and the way such moments can connect with the grand expression that’s our particular person lived expertise.” “Ghosts” is a chunk that many can resonate with on a profound stage.
:: bedtime tales mp3 – miso808 ::
Danielle Holian, Galway, Eire
miso808’s debut EP bedtime tales mp3 is a rare fusion of sound, emotion, and storytelling that defies style boundaries. With roots in Shanghai and a base in Los Angeles, miso808 weaves her cultural heritage right into a cinematic, bilingual soundscape that takes listeners on a journey by self-discovery, love, and heartbreak. From the seductive, Jap-infused reinterpretation of the surf-rock traditional “misirlou” to the haunting introspection of “crown,” this EP blends different pop, indie, and R&B in a means that feels each nostalgic and completely new. Every observe appears like a chapter in a bigger, ever-evolving narrative, the place miso808’s sharp lyricism and experimental manufacturing transport listeners to a world the place feelings are uncooked, unfiltered, and fantastically complicated.
The true energy of bedtime tales mp3 lies in its means to marry sound with storytelling. Tracks like “1001” and “dazzling” showcase her deftness at mixing cultural references with trendy manufacturing, providing a contemporary tackle conventional themes whereas reflecting on the complexities of ardour, love, and id. The EP’s remaining tracks, “instinct” and “meant to be,” delve into the emotional nuances of queer self-discovery, capturing the fun and anxiousness of private awakening. With its charming mix of Jap and Western influences, immersive storytelling, and vulnerability, bedtime tales mp3 is a sonic world that beckons listeners to dive in and uncover the depths of miso808’s artistic imaginative and prescient.
:: “Search Social gathering” – Winter Gardens ::
Danielle Holian, Galway, Eire
Brighton-based quartet Winter Gardens are again with their mesmerizing new single “Search Social gathering” – and wow, what a visit it’s. Like peering right into a kaleidoscope of sound, the observe blends brooding shoegaze, psychedelia, and rock with a haunting narrative that lingers lengthy after the ultimate notice. The celestial vocals of Ananda Howard and Jasmine Ardley really feel like ghosts whispering secrets and techniques over angular guitar riffs, whereas the fuzzy bass (famously revived with the assistance of a banana pores and skin and a soldering iron!) pulses beneath like a heartbeat on edge. With a storyline impressed by the darkish comedy sequence ”Search Social gathering” – that includes a twisted dance of obsession and trauma – this music is as gripping as it’s atmospheric. Flip off the lights, crank up the quantity, and get misplaced within the eerie brilliance of Winter Gardens.
:: “she need prada” – 80purppp ::
Mitch Mosk, Beacon, New York
Every time I hear this music, I simply wish to rise up and get down! A feel-good groove with infectious vocals to match, “she need prada” is an irresistibly easy, smile-inducing seduction from Edmonton, Alberta’s 80purppp. It’s love and want manifest in music; from the beat, to the melody, to his lyrics, and all the pieces in-between, 80purppp orchestrates a second of intimacy and connection, urging us to get as shut as we are able to – and to savor these particular moments.
“This music simply felt so enjoyable,” he tells Atwood Journal. “I lately realized how a lot I really like making folks transfer with my music, so this one undoubtedly has extra of a bounce to it. I really like making deep music with a bunch of layers and double meanings, however generally you meet somebody you simply can’t afford, and also you gotta dance that off.”
You don’t have to inform me twice: “she need prada” is dreamy, smoldering, and endlessly alluring – an ideal companion to these lengthy, chilly winter nights forward.
:: “John on the Ceiling” – bdrmm ::
Mitch Mosk, Beacon, New York
A wash of shiver-inducing shoegaze consumes the senses as bdrmm engulf not simply our ears, however our very souls with their spellbinding ‘late-night’ sound. Launched November 12th, 2024 through Mogwai’s Rock Motion Data, “John on the Ceiling” – the lead single off their upcoming third album Microtonic – sees the Hull based mostly quartet confronting human habits by a darkly ethereal, atmospheric, and all-consuming sonic haze.
As we stand by, fascinated,
All of the items laid to relaxation.
From the skin, looking inwards,
All appears good as soon as once more.
From our issues that they share,
Have been dampened, soaked unsure.
Whereas they stand there, pondering of the
methods to flee what’s mentioned and achieved.
“The themes surrounding ‘John on the Ceiling’ are that of confusion and doubt,” vocalist and guitarist Ryan Smith explains. “When one thing ends and one other begins, you lure your self right into a false sense of safety that the errors made received’t occur once more. This occurs time and again till you might be paralysed in limbo. Can folks ever actually change?”
Smith and co. ship a soul-stirring second of smoldering self-reflection within the refrain, his voice hovering excessive whereas eradicating the rose-colored glasses so many people depend on.
So don’t go altering the moments,
Maintain our pasts in time.
The items that by no means final
have discovered their place in us.
The type of music that lights a hearth deep down inside, “John on the Ceiling” is cathartic and cleaning – a fiery fusion of shoegaze and UK storage able to engulf its viewers, and guarantee we pay additional particular consideration to bdrmm over the months to come back.
Whereas the faceless
chunk their tongues, we
all want one thing
to carry onto.
After they step down
drenched in loss, they
will lastly realise
what they’ve achieved.
So don’t go altering the moments,
Maintain our pasts in time.
The items that by no means final
have discovered their place in us.
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