On America’s 249th birthday, we take a look at the totally different definitions of America by revisiting NPR’s American Anthem sequence.
AILSA CHANG, HOST:
Independence Day means various things to every of us. And on this 249th birthday for America, we will spend a while taking a look at totally different definitions of America by revisiting NPR’s American Anthem sequence, which had the easy purpose of telling 50 tales about 50 songs which have turn out to be galvanizing forces in American tradition. We begin with a tune that a lot of you’ll in all probability keep in mind from childhood.
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UNIDENTIFIED PERSON #1: (Singing) This little gentle of mine, I will let it shine. This little…
CHANG: Critic Eric Deggans checked out how the beloved youngsters’s tune “This Little Gentle Of Mine” turned a civil rights anthem.
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UNIDENTIFIED GROUP #1: (Singing) This little gentle of mine…
UNIDENTIFIED PERSON #2: (Singing) I will let it shine.
UNIDENTIFIED GROUP #1: (Singing) I will let it shine.
ERIC DEGGANS, BYLINE: Generally, consultants say, songs like “This Little Gentle Of Mine” begin off as youngsters’s folks songs, which turn out to be spirituals sung in all places from church buildings to jail work camps.
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UNIDENTIFIED PERSON #3: (Singing) All over the place I am going, I will let it shine.
DEGGANS: Because the civil rights motion grew within the Fifties and ’60s, singers modified the lyrics to reference their struggles. These new variations had been generally known as freedom songs.
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UNIDENTIFIED PERSON #4: (Singing) I’ve received the sunshine of freedom. I will let it shine.
DEGGANS: It might sound odd to name such an innocent-sounding tune defiant, however that is precisely how blues singer Bettie Mae Fikes felt when she created her basic model of “This Little Gentle Of Mine” in 1963. She improvised the lyrics after a protest during which a number of of her pals had been attacked.
BETTIE MAE FIKES: And I am considering, you already know, how is the sunshine shine after they’re attempting to place our lights out? So all people was taking verses. And with a view to are available in, I simply went into the slave name. (Singing) Whoa.
(SOUNDBITE OF SONG, “THIS LITTLE LIGHT OF MINE”)
FIKES: (Singing) Whoa, inform Jim Clark that…
UNIDENTIFIED GROUP #2: (Singing) I will let it shine.
FIKES: And swiftly, I simply began including our oppressors within the tune – inform Jim Clark I will let it shine.
(SOUNDBITE OF SONG, “THIS LITTLE LIGHT OF MINE”)
FIKES: (Singing) Inform Jim Clark…
And as I added my oppressors, right here different folks within the viewers started to shout out, inform the KKK, inform our president. It was like being free.
DEGGANS: Nonetheless, one query persists. Why has “This Little Gentle Of Mine” survived for thus lengthy? Robert Darden, a professor at Baylor College, who’s written in regards to the tune in at the least two books, has a concept.
ROBERT DARDEN: For those who’ve requested among the survivors of the civil rights motion, as I did – survivors who sang these songs for defense and for braveness – why “This Little Gentle Of Mine” survives and continues to be sung, they might take a look at me straight within the eye and say, as a result of these songs are anointed. And as a tutorial, I’ve no strategy to refute that, nor do I wish to.
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UNIDENTIFIED PERSON #5: (Singing) This little gentle of mine, I will let it shine.
CHANG: That was Robert Darden speaking to NPR’s Eric Deggans about “This Little Gentle Of Mine.”
The phrase anthem connotes one thing massive – proper? – one thing that unites listeners but in addition perhaps one thing that challenges them. Aaron Copland’s “Fanfare For The Frequent Man” was composed in 1942, and since then, it has been heard in all places. NPR’s Mandalit del Barco appeared into why this tune continues to command a lot consideration.
MANDALIT DEL BARCO, BYLINE: Aaron Copland started his fanfare with dramatic percussion.
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MANDALIT DEL BARCO: It heralds one thing massive, thrilling, heroic. Then easy trumpet notes ascend.
(SOUNDBITE OF SAO PAULO SYMPHONY ORCHESTRA PERFORMANCE OF AARON COPLAND’S “FANFARE FOR THE COMMON MAN”)
TERENCE BLANCHARD: It is a piece that feels prefer it was written by God and never by a human.
MANDALIT DEL BARCO: Jazz trumpet participant and composer Terence Blanchard.
BLANCHARD: Each time I hear it, it stops me in my tracks, and it makes me mirror on the goodness of man, actually. And I do know that sounds corny for some, however it actually makes me take into consideration, on the finish of the day, you already know, most individuals on this nation are good, God-fearing folks. Truthfully, that would have been our nationwide anthem (laughter). It has that sort of spirit to it.
(SOUNDBITE OF SAO PAULO SYMPHONY ORCHESTRA PERFORMANCE OF AARON COPLAND’S “FANFARE FOR THE COMMON MAN”)
MANDALIT DEL BARCO: By 1942, the U.S. had entered World Warfare II, and composer Aaron Copland was impressed by a speech Vice President Henry A. Wallace gave to rally People.
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HENRY A WALLACE: Some have spoken of the American century. I say that the century on which we’re getting into, the century which can come into being after this warfare, might be and should be the century of the frequent man.
(APPLAUSE)
MANDALIT DEL BARCO: And the frequent man deserved a fanfare, Copland as soon as stated, remarking, it was the frequent man, in any case, who was doing all of the soiled work within the warfare and the Military. NPR requested listeners to mirror on Aaron Copland’s fanfare.
LYNN GILBERT: My identify is Lynn Gilbert, and I dwell in Bristol, Maine. My profession was in IT for a utility firm. And in spite of the present political panorama, I assume I nonetheless imagine that there’s an American dream of peace and prosperity for everybody. And music that soars and conjures up like this piece does brings hope for the long run. It is highly effective, it is direct, and it is actually simply American. I adore it. Thanks, Aaron Copland.
MANDALIT DEL BARCO: All of that in a chunk that is below 4 minutes lengthy.
(SOUNDBITE OF SAO PAULO SYMPHONY ORCHESTRA PERFORMANCE OF AARON COPLAND’S “FANFARE FOR THE COMMON MAN”)
MANDALIT DEL BARCO: Mandalit del Barco, NPR Information.
(SOUNDBITE OF SAO PAULO SYMPHONY ORCHESTRA PERFORMANCE OF AARON COPLAND’S “FANFARE FOR THE COMMON MAN”)
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