Now and again, a music comes alongside that feels much less like a efficiency and extra like a prayer — a chunk of music that doesn’t simply entertain however intercedes. Eddy Mann’s “It’s Time, Lord,” launched October 6, 2025, is a kind of songs. Drawing inspiration from Psalm 7, Mann delivers a heartfelt and well timed message that balances pastoral compassion with prophetic urgency, reminding listeners that the world’s wounds can’t be healed with out divine intervention and human humility.
Mann, a seasoned Philadelphia-based singer-songwriter and worship chief, has lengthy constructed his music across the intersection of religion and on a regular basis life. On “It’s Time, Lord,” he brings these sensibilities into sharp focus. The music’s chorus — “It’s time, Lord, it’s time / It’s time to an finish to the violence” — is so simple as it’s devastating. It’s the form of lyric that doesn’t require rationalization. You’re feeling it. You hear it on the information, see it in your neighborhood, and carry it in your spirit. Mann captures that ache and turns it heavenward.
Musically, “It’s Time, Lord” is constructed across the ukulele, Mann’s chosen instrument of peace. Its mild strumming serves because the anchor for a full, but unobtrusive manufacturing — bass, percussion, and atmospheric textures that transfer with quiet objective. The association is tastefully restrained, letting Mann’s voice and message lead. That steadiness — between magnificence and burden — is the place the music lives. It’s polished sufficient to sit down comfortably in up to date Christian playlists, but trustworthy and uncooked sufficient to belong within the lineage of socially conscious people gospel.
Mann’s voice is neither booming nor flashy, however there’s a non secular authority in its softness. He sings with the form of conviction that doesn’t want quantity. His tone conveys empathy, grief, and hope in equal measure — a pastor’s coronary heart in a troubadour’s body. Because the music unfolds, the prayer deepens: “Hear our humble prayer… Protect our weary hearts…” Every repetition appears like a deepening of the soul’s cry. It’s worship by lament, a sacred self-discipline that trendy Christian music too typically overlooks.
From a theological standpoint, “It’s Time, Lord” features as each lamentation and confession. It’s a music that acknowledges human complicity on the planet’s brokenness whereas craving for the renewal solely God can carry. Mann doesn’t level fingers outward — he factors upward and inward. The non secular posture of the music echoes the prophets, who cried out not in judgment however in solidarity with a fallen individuals. That makes “It’s Time, Lord” not only a prayer for peace, however a name to repentance and motion.
There’s a uncommon braveness in a music this mild. In a tradition saturated with spectacle, Mann affords sincerity. “It’s Time, Lord” doesn’t intention for the charts — it goals for the conscience. And in doing so, it fulfills one of many deepest callings of Christian artistry: to offer voice to the unvoiced, to wish for individuals who’ve forgotten how, and to remind us that God’s presence is usually discovered not within the thunder, however within the nonetheless small strum of religion.
–Bryan Combs
Associated
