In 2004, The Who launched a DVD model of The Youngsters Are Alright within the UK. The basic movie documented the band’s rise from swinging London wannabes to globe-straddling golden gods of rock, and frontman Roger Daltrey sat down with Traditional Rock to debate the film, life with Keith Moon, the songs of Roger Daltrey, the Union flag, and 40 years of The Who.
Beneath the approaching footfalls of The Who’s singer, the fashionably minimalist hardwood flooring clatters like an overworked slapstick, and my overwhelming feeling of crippling self-consciousness is nearly not possible to bear.
As Roger Daltrey walks throughout what seems to be probably the most cavernous reception space in the whole historical past of company ostentation, I chew again on the imbecilic grin that’s in imminent hazard of taking possession of my awe-stricken chops, and endeavour to feign aloof detachment by coolly appraising the numerous platinum discs that line each inch of accessible wall house.
Christ, how massive is that this workplace? Will Daltrey ever get to my aspect of it?
The sheer scale of Trinifold’s Camden, north London, headquarters belongs to a special age. And on getting into its hallowed, park-side portals it’s nearly not possible to not be impressed. Trinifold, The Who’s administration firm, can also be that of Led Zeppelin. Consequently, hugeness is the order of the day right here.
Even probably the most cursory look on the inside décor at Trinifold will inundate your mind with proof of their purchasers’ stratospheric achievements and enduring sonic legacy: authentic album paintings by John Entwistle; classic posters for gigs by pre-Who Excessive Numbers; prestigious awards galore; and a veritable embarrassment of precious-metal discs that recognise large and constant document gross sales figures far past the scope and creativeness of even at present’s largest stars.
And am I intimidated? Hell, sure.
All of the sudden the reverie is damaged by an out-thrust hand. As I flip absent-mindedly to shake it, I’m staring into the piercing blue eyes belonging to the star of Tommy, Monterey Pop, Lisztomania, Woodstock and McVicar; the long-lasting Ace Face that stuttered forth the final word mod manifesto through the auto-destructive aggressions of My Technology; the voice of Gained’t Get Fooled Once more, Pinball Wizard and 5.15.
“Alright, mate? I’m Rog,” the dwelling legend smiles with out ceremony. “Cup of tea?”
Because the kettle fills, I out of the blue really feel proper at dwelling. And herein lies Roger Daltrey’s important magic: he actually is an atypical geezer. Identical to us.
Daltrey is right here ostensibly to speak concerning the all-singing, all-dancing DVD launch of The Youngsters Are Alright, Jeff Stein’s 1979 movie documentary that captured completely the rise of The Who from pill-blocked mod upstarts to all-conquering rock godheads. Now digitally buffed to a shine and restored to its authentic 109-minute cinema-release minimize, remixed to five.1 encompass sound and expanded (it’s on two discs) by the addition of quite a few mouth-watering extras, The Youngsters Are Alright collates early TV footage, uncommon Who promo clips, interview snippets, and performances from Monterey, Woodstock and Charlton FC, in addition to a specifically shot intimate present at Shepperton Studios.
There’s no doubting that the completed article was the perfect cinematic portrait of a band ever given a cinema launch, however how did it come into being? Why would a band at their peak out of the blue take trip to provide what was basically an historic doc?
“A fan got here to us,” Daltrey remembers, “and stated he’d wish to make a movie utilizing clips of the band. He did a brief promo, and we stated why not. We thought it was going to be some low-cost little stuck-together manufacturing, and it ended up costing an arm and a leg. However Jeff did an important job. I couldn’t be goal about it on the time, however I have a look at it now and assume it’s a very essential piece of labor.
“Jeff broke the principles. It’s full anarchy however he will get away with it. It captures the band on the pinnacle of our profession. It’s unpretentious, enjoyable and an essential rock’n’roll doc. On the time it was launched folks have been saying: ‘This movie is not sensible, it’s an entire piece of garbage’. However now they name it one of many breakthrough moments of rock’n’roll film-making. That’s how ridiculous it’s.”
The timing of The Youngsters Are Alright might have been completely inexplicable, nevertheless it was additionally fairly excellent. The Who’s behind-closed-doors efficiency at Shepperton movie studios, their first reside work-out in properly over a 12 months and particularly organized to supply modern footage for the film, was additionally destined to be their final present with Keith Moon.
“It was the final stand,” Daltrey shrugs. “The final gig.” And the way fortuitous that the footage finally captured the band in full impact, for the distinction between The Who as a studio entity and as reside band was at all times immense.
“The 4 partitions of a studio might by no means include us,” Daltrey attests. “That was the difficulty. The personalities and performances have been simply too fucking massive, and it was very troublesome to do The Who justice within the studio for some purpose. Even Who’s Subsequent looks like we’re all constrained; though they’re nice performances, you may nonetheless hear the constraints of the studio. However hear it performed reside and it’s explosive.
“We at all times performed with the identical ardour. Nonetheless do at present, and when that dies we’ll cease. I don’t know whether or not the notes are fairly the identical as they was, as a result of I’m lots older, however they’re ok, and it’s by no means been all about simply notes to me anyway. However so long as that zeal stays I’ll go on doing it. It’s the eagerness that lives inside our music on stage that makes The Who particular.”
Although The Youngsters Are Alright wasn’t launched till after Keith Moon’s tragic loss of life on the age of 31 in September 1978, the drummer did get to see the completed product. Simply weeks previous to his drug-hastened demise, he accompanied Daltrey to a non-public screening. And what he noticed shook him to his very core.
“He was like a blubbering child. He was crying. He was devastated. And I stored saying to him: ‘Keith, you’re the star of the fucking movie, you’re sensible. With out you in it it could be as uninteresting as dishwater.’ And he’s saying: ‘Yeah, however I’m chubby, I can’t drum any extra’.
“It should have been like falling off the sting of a cliff for him, as a result of he noticed this lovely younger child go from trying sixteen years outdated to trying forty in a really brief house of time, and he discovered it very laborious.
“I stated to him: ‘Don’t fear, Keith. It’s simply because we haven’t been on the street for 2 years. We’ll get you match. We’ll get a gymnasium on the studio, I’ll come down with you and we’ll practice, and I’ll get Pete again on the street, and also you’ll quickly be match’.
“It’s as a result of he didn’t drum. Drummers have to drum. He was devastated.”
You possibly can see on the Shepperton footage that he was actually beginning to endure behind the equipment by the top of every track, I comment.
“However he’d had two years off; properly, eighteen months. And eighteen months within the lifetime of Keith Moon was a fucking very long time, and he had overindulged in each method. He’d had California dwelling, he’d finished no train, hadn’t finished any drumming, and he paid the value. You’ve bought to consider somebody with the quantity of vitality that he used to place into these performances – the place the hell do you place it while you’re not performing? It should have been terrible. It was nearly like all that vitality was saved up within the fats, and it needed to kill him as a result of it couldn’t come out. It’s bizarre.”
Whereas many will likely be drawn to the charms of The Youngsters Are Alright for the fleet-fingered stoicism of bassist John Entwistle, the octopus-armed lunacy of Keith Moon or the windmill-delivered energy chords of Pete Townshend, simply as many will wish to watch the chest-beating, microphone-whirling vocal machismo of Roger Daltrey – the frontman’s frontman. However not Rog.
I inform him that he appears surprisingly uncomfortable about watching himself carry out, and ask if he has any curiosity in nostalgia. Does he doubt his personal capability, I enquire, or is his singing voice merely to not his style?
“I don’t prefer it,” Daltrey admits. “I by no means have. I do know when it’s sort of proper, nevertheless it’s the emotional street map that pursuits me. I may be goal about it twenty years later, and if I hear it popping out of anyone’s window I’ll go: ‘Fucking hell, that feels like a superb band’ and be most stunned that it’s us. However when you sat me down in entrance of a full-blast stereo, I’d go: ‘Nicely it should be alright, as a result of it did very well’. However do I prefer it? Do I like my voice? No.
“Seeing myself is identical. It’s like all the pieces you’re doing is clumsy, cluttery, an excessive amount of, too massive, and it doesn’t really feel such as you, it’s like anyone else. It’s very unusual. My spouse at all times says: ‘It definitely was anyone else. And I took the flawed one dwelling’.”
You’ve stated that till The Who it was at all times your customized to sing like Howlin’ Wolf, however on becoming a member of the band you have been out of the blue known as upon to sing like a choirboy. Do you assume that now and again Pete writes for his personal voice, thus forcing you to sing a little bit out of character and to not your best strengths?
“Now, he writes for a cross between my voice and his voice, which is implausible. However within the early days he definitely wrote for his voice, and I had horrible bother discovering the voice for The Who. However after I first used to take heed to my voice, fuck me I’d run a mile. It at all times appeared like I used to be on the different finish of a foghorn, like I’m coming down this tube at you. It had a really unusual high quality. However possibly as a result of I couldn’t discover the voice, it had the voice of anyone. Though it was very particular person, it was the voice of everyone. Do you perceive what I imply?”
Yeah, so folks might relate to it extra.
“Yeah. And I do know it labored, as a result of these information offered tens of millions. However I did have bother discovering that voice. It didn’t come till Tommy. And it didn’t come from Tommy within the studio, it got here from Tommy reside.”
Regardless of an outward camaraderie and an clearly monumental mutual respect for one another as musicians, what actually comes throughout when watching the 4 authentic members of The Who in harness is an unbelievable feeling of brooding antagonism. How in God’s identify did they keep collectively for thus lengthy?
“I feel all of us recognised the power in numbers. We’d all been in sufficient bands to recognise what it takes to be an important band. when the music’s good, and if the music’s good you may put up with any of the opposite shit. There was solely as soon as when the personalities actually clashed. I don’t know whether or not it was all me – it definitely can’t ever be all one individual – however my character was positively clashing with the others. And it wasn’t notably the personalities that have been clashing, it was extra to do with the medication they have been taking on the time… Which have been the other to the medication I used to be taking [laughs].”
Did you ever truly come to blows?
“Oh yeah, unhealthy blows.”
How unhealthy?
“I had a very unhealthy combat with Keith. That was over medication. As a result of the taking part in had gone actually, actually downhill.
“We have been on our first tour of Europe, and I slung the medication away, as a result of it was purple hearts and velocity, and with the songs we have been taking part in it simply was a fucking mess. And I assumed: ‘This band’s going to self-destruct’. And the band was all the pieces to me. I used to be at all times the one who drove it. I used to be the man who began out making the guitars. I drove the van, set the gear up. I used to be the man who at all times pushed that finish of it. And I might see it flying aside on the seams, and I assumed, fuck it, I’m going to try to do all the pieces I can to cease it. And, in fact, I wasn’t very articulate in these days, however I had a really helpful pair of fists. However anyway, that was over medication.
“And I had one combat with Pete the place I knocked him out, which I’ve at all times felt unhealthy about as a result of it was so pointless. However I had no alternative, as a result of sadly I used to be the one being held again and he was hitting me with a guitar on the time.”
Nicely that’s not going to assist issues, is it?
“No, and when you break a Gibson SG over somebody’s shoulder it’ll fucking harm [laughs]. It was just one punch, and sadly it hit him when he was off stability, coming ahead after throwing a punch at me which I dodged. It was his personal fault, as a result of he advised the roadies to let me go [laughs]. However I’ve at all times felt unhealthy about it, I don’t know why. He did exit chilly, and the following factor I do know I’m sitting within the fucking ambulance holding his hand.”
There isn’t a substantial amount of off-stage footage in The Youngsters Are Alright, however what there may be offers a powerful impression of how the band have been. The dynamic appears to be that Pete knew precisely what strings to tug to make Keith act in probably the most outrageous vogue potential, whereas John merely sat again and shook his head, and also you have been left to select up the items. Is {that a} truthful summation?
“That’s about proper,” Daltrey laughs. “Gap in a single, mate. Pete would at all times be the instigator of Moon’s antics. He knew precisely what strings to tug, and he was an important foil for Moon’s humour, verbal and in any other case. And John, such as you say, might simply sit again and let it roll over him. John had a a lot wittier sense of humour, however he might get caught in when the cake fights began and all that, quite a lot of enjoyable.
“However I didn’t do an excessive amount of of choosing up the items, and ultimately I simply used to sit down there like John. Even smashing up rooms will get boring after some time. It’s like something in life, it’s actually nice the primary time… however the second time? ‘It wasn’t nearly as good as final time, we’ve started working more durable on this.’ Then the third time: ‘Oh God, it’s misplaced a little bit of its pleasure’. After which – when you may afford it – it’s no enjoyable in any respect.”
Life with Keith Moon was many issues, however by no means uninteresting. And the opening section of The Youngsters Are Alright paperwork an incident that just about defines the perilous nature of coexisting in the identical orbit as rock’s most celebrated madman.
Unimpressed by a half-cocked pyrotechnic rehearsal on American TV selection extravaganza The Smothers Brothers Present, Keith plied the person in control of particular results with sufficient alcohol to steer him to extend the explosive cost. When it went off, Pete’s hair caught fireplace, Roger was blown throughout the studio, and Keith ended up with a big chunk of drum-kit shrapnel embedded in his arm.
Was that the one event when Keith’s antics truly put your lives at risk?
“Nicely, that was fucking critical,” smiles Daltrey, “As soon as, we chartered a airplane to Germany. And as we have been flying dwelling he got here out carrying the bathroom door over his shoulder. He’d nearly ripped the bulkhead of the fucking airplane off. Which bought us a bit nerve-racked. You out of the blue realise that, grasp about, a airplane is constructed so that each little bit of the construction holding it collectively is sort of essential, and ripping bits out in mid-flight just isn’t a fucking good thought [laughs].”
Additionally included in The Youngsters Are Alright is priceless footage of The Who, particularly Moon, doing to TV chat-show host Russell Harty nearly precisely the identical as Rod Hull’s Emu did to Michael Parkinson. How drunk was Keith on that event?
“He wasn’t drunk. That was Keith. That’s how he was.”
However when he was in that sort of temper…
“What do you imply, ‘When he was in that sort of temper’? That’s how he was. He was like that 24/7. Nicely, he would have his down moments, however two or three hours out of every single day that’s what he was like.”
He should have been bloody laborious work.
“Fucking laborious work. However enjoyable… by no means uninteresting. He was laborious work, and I can’t faux he wasn’t, nevertheless it’s the sort of laborious work that’s pleasurable. And he was so artistic, and he was so verbally astute. His use of language was method past his schooling.”
There’s no Quadrophenia materials in The Youngsters Are Alright, and, even if Franc Roddam’s basic ’79 film model of The Who’s ’73 idea album was the catalyst for an all-pervasive cultural revolution within the form of the second coming of mod, Quadrophenia appears to have at all times been overshadowed by Tommy.
“Nicely I don’t agree that it’s been overshadowed by it,” Daltrey says with a frown. “I feel Quadrophenia has an viewers that’s extra hooked up to it than anybody is to Tommy. Though Tommy might be extra industrial, folks within the Quadrophenia camp are extra hooked up to it as a result of it articulates an important second of their lives.
“Whether or not you’re at present’s technology, twenty years in the past’s technology or our technology, it articulates a selected space of your life that each adolescent goes by means of. And people those that uncover Quadrophenia, and determine with it, connect it to themselves extra strongly than anybody ever hooked up Tommy to themselves.”
Audiences within the punk period have been capable of equate all the pieces that was taking place on display to their very own life expertise, despite the truth that the movie was set at the very least a decade earlier. It was very a lot a case of identical emotions, totally different tribe.
“That’s proper, it’s simply tribes. Tribal music. And naturally the passions and emotions of adolescence will at all times be the identical. It’s at all times a wrestle for identification and: ‘The place the fuck do I am going?’; ‘What’s the following step in life?’ And irrespective of how the circumstances round it’d change – it could be scooters, it could be motorbikes, it could be flying fucking saucers – what’s going on throughout the human being at that age goes to be the identical.”
The Who with out John Entwistle (whose sudden, drug-induced loss of life in Las Vegas occurred on the eve of the band’s 2002 American tour) appears nearly inconceivable, however you bought on and fulfilled your obligations with unbelievable resilience. It should have been extraordinarily draining emotionally. Did you ever contemplate cancelling these exhibits with a view to to lick your wounds?
“We did on the day we heard that John had died. We definitely did. However we thought-about all the pieces. We thought-about how many individuals we’d be letting down. It was a summer season the place there have been only a few sell-out excursions in America; there was solely us, McCartney and Springsteen promoting out. We labored out how many individuals could be affected.
“We’d [the world] been in a despair, actually. Politicians gained’t inform you that, nevertheless it has definitely been a really robust recession, particularly in America. And also you achieve duties. We labored out that we have been using – while you take the automobile park attendants and all the pieces else in all of the venues round America – hundreds of individuals, and that might have been in the future the place they might have been sitting on their arses not getting paid. And also you assume: ‘Fucking hell. We’ve bought a little bit of duty right here. We will duck it fairly simply. John’s useless, it’s the right time to cease, however possibly we should always rethink. Let’s see what we will do.’
“And Pete felt, and I do too, that it’s too straightforward at our age. We’ve at all times been a band that displays what’s taking place in our technology, and we’re sadly the following in line for the opening within the floor – reality of life.
“We owe it to our followers, our authentic followers which might be our age now, to point out them learn how to reside. And also you don’t fucking hand over as a result of one in all your mates died, mate. You stick with it. In case you don’t really feel you’ve bought something to supply, then by all means cease, however for the time being I really feel we’ve nonetheless bought lots to supply.
“Pete’s writing new stuff now, I can nonetheless sing nearly as good as I ever might, Pete’s one of many genius guitarists and songwriters of the final century, why not go on? It won’t be the identical, nevertheless it doesn’t make it irrelevant. We will nonetheless play the outdated stuff nearly as good as we ever might, and though John isn’t taking part in it, neither is Keith – and Keith hasn’t been for twenty-six years. You hear it performed with out him and he lives inside it.
“Music has bought that capability to transcend life, and so they’re the explanations we went on. And, imagine it or not, it looks like we’ve nonetheless bought all the perfect of what John delivered to the band. Pino [Palladino, Entwistle’s replacement] doesn’t play like John performed in any respect, however what Pino does play and what’s structured throughout the songs displays sufficient of what John did. So that you get all the perfect of what John and Keith did nevertheless it’s opened up house the place Pete and I can stretch out. And right now in our life possibly we must be doing that and looking for new avenues. It’s made it thrilling and, like I say, it’s given us open roads to journey.”
And also you say that the perfect work from The Who’s but to come back.
“I’ve at all times felt that. I’ve at all times had a factor in my bones about what sort of author Pete Townshend is. He’s a man who writes about the place he’s in life, concerning the religious journey {that a} life is; he at all times has. He used to put in writing nice about adolescence. That’s solely as a result of that’s the place he was then. However it’s important to get to a sure age earlier than you may truly face the truth that you’re fucking going to get outdated and also you’re the following in line for the graveyard.
“And in relation to the purpose the place he crosses that line, he’ll write about it in a method that it’s by no means been written about earlier than, in a method that may talk to everyone going by means of that interval of their life in the identical method that he communicated with adolescents. And I feel from that perspective alone he’s bought the potential to articulate it in a method that can make it his greatest piece of labor, as a result of no one writes about that interval of your life in music, not in pop music anyway.”
It’s uncharted territory, and it’s fairly brave to handle it and face it head on.
“Nicely, I feel it’s essential that we do. I feel a very powerful operate of music is to replicate life itself, as a result of to me it’s a very powerful factor in life. A life with out music is not any life in any respect.”
Are you completely content material to be, nearly completely, an interpreter of Pete’s songs?
“Yeah.”
That’s it, interval? However don’t you ever want that you simply had persevered extra with rising your solo profession?
“Interest.”
Don’t you ever want you’d investigated your personal songwriting potential extra?
“I can write. I write on a regular basis. I write songs which were utilized in movie soundtracks and issues. However I’m not Pete Townshend. I used to be the fortunate fucker who bought to sing songs of pure genius, and I’m not moaning. And I’m very proud of that, thanks very a lot. I would love among the publishing [laughs] however aside from that…”
On Quadrophenia, Roger Daltrey sang the lead function of Jimmy Cooper: in fashionable tradition phrases the final word exemplification of the everyman mod very best. And The Who’re extra synonymous with the 60s mod scene than every other band. However did Daltrey ever truly contemplate himself to be a mod?
“No. By no means. And when you learn stuff from the interval, I at all times made it painfully obvious that I used to be a fucking sheep in wolf’s clothes.”
And did you at all times contemplate the entire pop-art sub-text attributed to The Who to be, and I quote, ‘a load of outdated bollocks’?
“No, I didn’t… Nevertheless it was like not liking Elvis, wasn’t it? You needed to say that it was a load of outdated bollocks, in any other case you’d have been thought-about completely pretentious. However I used to be very conscious of the truth that we have been dwelling pop-art – you recognize, a manufactured factor. We have been the Campbell’s soup tin; we have been the Coke bottle. We have been simply one other package deal; we have been packaging music. That’s what we have been doing. However when you had began to say that at the moment, it could have appeared extremely pretentious.”
It’s weird that a complete technology, when confronted with the RAF bull’s-eye image, don’t contemplate the proud and enduring custom of the Royal Air Drive for a second. As a substitute their minds are irresistibly drawn to a T-shirt that Keith Moon favoured for a few months in 1966.
“Folks underestimate simply how a lot, when it comes to fashionable visible graphics, The Who put on the market. The Union Jack on something apart from a flag was put on the market by The Who. Once we did that, the primary Union Jack jacket, which was the place it began, one Union Jack jacket, Package Lambert [band manager] and Pete purchased the flags and went right into a tailor on Savile Row and stated: ‘Will you make this right into a jacket?’ ‘Can’t try this, sir, we’ll be put into jail’.
“We needed to go to a back-street tailor and get the bloody factor made, as a result of they have been actually terrified of going to jail. That’s how critical it was then. To chop the flag was critical shit in these days. Now have a look at it. You possibly can wipe your arse on the flag as of late. And it was the same factor with the bull’s-eye T-shirt.”
The Who did handle to hijack various cultural icons and make them their very own: the white Levi jacket and the fringed suede jacket quickly turned recognized in fashionable avenue vogue parlance because the ‘Keith Moon’ and the ‘Roger Daltrey’ respectively.
“Nicely, when folks write concerning the mod interval, and so they write concerning the fashions and also you see the pictures, clearly these images characterize simply in the future, or one hour, within the lifetime of mod. And it’s very laborious to get a notion of how the style used to alter throughout the fucking week.
“It was scary how shortly it modified in these days. What could be trendy one week could be out of vogue the following and there’d be one thing else. I imply, one week it was ice-cream jackets – three-quarter-length white jackets – after which it went to brief ones, and so they have been there for like two weeks and gone. And when you have been seen carrying them after that two weeks it was like: ‘Fucking hell, mate, the place are you from? Wales?’ [laughs]”
What’s probably the most preposterous merchandise of clothes you ever wore within the identify of mod?
There follows a full 15 seconds of deafening silence. “I don’t assume I ever wore something that I wasn’t completely proud of. I imply, I feel it bought preposterous after the mod interval when the flowerpower factor got here in. Now that was preposterous, that was fucking ridiculous [laughs]. Nevertheless it was whole bravado. Once I assume again to the issues we used to put on, I used to be at all times carrying my girlfriend’s stuff.”
It has additionally turn into routine for chroniclers of avenue vogue to look again on outdated promo clips of The Who and attain the conclusion that ‘that is how mods dressed’. However earlier than the arrival of The Who mods have been all Italian fits and Hush Puppies footwear, and what has since turn into accepted because the basic mod look is definitely the basic Who look.
“That’s proper. However the basic mod look – the fits, the button-down shirts – it’s so basic it’ll by no means date. It’s sharp, pin-sharp, clear strains… sharp. Punk won’t ever date, both, however within the reverse method – it’s completely flamboyant anarchy. We actually simply occurred to be fortunate. We have been fortunate to have arrived in simply the best interval. The bits in between have been sort of boring although, weren’t they? I by no means bought into the glam. I at all times discovered it embarrassing.”
We then talk about the glam-like dearth of excellent music within the current musical zeitgeist. And Daltrey is especially concerned about The Darkness: “Are they any good?” he asks. And, extra particularly: “Might you place them on the identical stage as Zeppelin and The Who?” I enterprise the opinion that they’d make a bloody good assist, however aren’t fairly in the identical league but.
“There’s a number of Coldplay soundalikes for the time being, isn’t there?” he ventures with none enthusiasm, earlier than sighing: “It’s bizarre”.
We’re within the doldrums as a result of the trade appears way more concerned about disposable pop.
“The trade is in bother. The document firms are so silly. They at all times have been, nothing’s modified. They don’t wish to admit that they have been those that destroyed an artwork kind, which was the album – the long-playing document. A complete self-supporting artwork kind – the paintings and the entire scale of it in folks’s lives.
“It turned very treasured to folks, and so they changed it with a plastic field that you could’t put any added worth to. And you’ll copy what’s within the grooves. If you are able to do that free of charge, why fucking purchase it? You don’t need the plastic field. You don’t actually need them in your home, do you? They’re simply nasty.”
Oh yeah, Roger Daltrey is unquestionably one in all us. He would have made a powerful punk.
This function initially appeared in Traditional Rock 67, printed in June 2004.
