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50% Off the Final Nice Indie Rock Print Journal – A Household-Run Labor of Love Since 2001 | Beneath the Radar



First identified picture of me and Wendy, in 2000; a yr later the primary problem of Beneath the Radar was launched.

50% Off the Final Nice Indie Rock Print Journal – A Household-Run Labor of Love Since 2001

Get 50% Off Subscriptions and Again Points

Could 24, 2025


Whereas most music magazines have both shut down or pivoted to digital-only, Beneath the Radar remains to be right here—nonetheless in print, nonetheless 100% unbiased, and nonetheless run by the identical husband-and-wife staff who began all of it again in 2001.

Proper now, you may get a four-issue print subscription for 50% off—simply $9.99 for the U.S. (solely $2.49 every vs. $7.99 on the newsstand) utilizing promo code UTR202550.

All again points are additionally 50% off with code UTRBACK50.

Canadian four-issue subscriptions are additionally 50% off, solely $14.49 vs. the standard $29.99.

Worldwide four-issue subscriptions are 50% as effectively, now $23.49 vs. the standard $46.99.

All eight-issue subscription choices (U.S., Canadian, worldwide) are 40% off with code UTR202540.

Based by music author Mark Redfern (that’s me) and photographer Wendy Lynch Redfern, Beneath the Radar started as a black & white zine distributed round Los Angeles. Wendy and I met and fell in love in December 2020 and a yr later our first problem was born. Over 20 years later, it’s nonetheless run by the identical couple—we’re now married with a daughter (Rose, at the moment 12), residing in Virginia, and nonetheless placing out print points that includes authentic images, passionate journalism, and a deep love of indie music.

We’ve weathered the collapse of Borders Books (which worn out half our distribution), the demise of conventional print promoting, and extra, however by no means overlooked what made us begin this journal: a perception within the energy of nice music and significant journalism.

We had been the primary nationwide print journal to interview Vampire Weekend and Fleet Foxes, the primary U.S. outlet to speak to Moist Leg and The Final Dinner Occasion, and early champions of now-beloved artists like Charli XCX (on our cowl in 2013, 11 years earlier than Brat). We helped outline the indie increase of the 2000s—that includes Demise Cab for Cutie, Vivid Eyes, Interpol, The Nationwide, TV on the Radio, Yeah Yeah Yeahs, and lots of extra—and have additionally interviewed older legends like Brian Wilson, Yoko Ono, Peter Gabriel, New Order, and Depeche Mode. We had been additionally the final journal to interview and {photograph} Elliott Smith earlier than his tragic demise.

And we’ve achieved all of it with out company backing or billionaire traders.

We’ve outlasted most of our print-era friends not as a result of we had the deepest pockets or the most important workers, however as a result of we’ve saved it private. As a result of we care. As a result of we consider music journalism ought to be pushed by coronary heart, not algorithms.

If you need a deeper have a look at how Beneath the Radar survived the final 20+ years—by way of births, deaths, cross-country strikes, and a quickly altering media panorama—learn our behind-the-scenes secret origin story, written for our twentieth Anniversary Problem in 2021.

Wendyand me at the Hillside Festival in Guelph, Canada in 2005 for our O Canada Issue. (Self-Portrait)
Wendy and me on the Hillside Competition in Guelph, Canada in 2005 for our O Canada Problem. (Self-Portrait)
Wendy and our daughter Rose with Thurston Moore of Sonic Youth in London, England in 2016 during a Protest issue photo shoot. (Photo by Mark Redfern)
Wendy and our daughter Rose with Thurston Moore of Sonic Youth in London, England in 2016 throughout a Protest problem picture shoot. (Picture by Mark Redfern)
Our daughter Rose with Future Islands in Charlottesville, VA in 2014 during a cover photo shoot. (Photo by Wendy Lynch Redfern)
Our daughter Rose with Future Islands in Charlottesville, VA in 2014 throughout a canopy picture shoot. (Picture by Wendy Lynch Redfern)

Every problem of Beneath the Radar contains:

  • 20–30 in-depth interviews
    Our subsequent problem—Problem 75—is a sequel to our fan-favorite ’90s Problem, that includes brand-new interviews with the artists, filmmakers, and creatives behind a few of the decade’s most iconic music, movie, and TV.

  • 20–50 album critiques
  • A downloadable MP3 sampler of as much as 40 new tracks
  • Authentic images—much less inventory photographs or label promos
  • Unique options that usually keep in print months earlier than logging on

We’re aiming to enroll 500 new subscribers earlier than it goes to press this summer time. Should you worth considerate music journalism, in the event you miss flipping by way of a superbly designed print journal, or in the event you merely wish to help a passionate, family-run publication—that is the time to subscribe.

Print’s not useless. But it surely does want your assist.

Assist Beneath the Radar—the final nice American indie rock print journal—and save 50% in the present day.

Wendy and me in the hallway of our Los Angeles, CA apartment building where we started Under the Radar, early 2000s. (Self-Portrait)
Wendy and me within the hallway of our Los Angeles, CA house constructing the place we began Beneath the Radar, early 2000s. (Self-Portrait)
Elliott Smith in Los Angeles, CA in 2003. (Photo by Wendy Lynch Redfern)
Elliott Smith in Los Angeles, CA in 2003. (Picture by Wendy Lynch Redfern)

Subscribe to Beneath the Radar’s print journal.

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