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5 Takeaways From Justin Bieber’s New Album SWAG II


From the depths of the popstar doldrums, Justin Bieber has risen once more. After 4 years of controversy, a heated monetary dispute together with his longtime supervisor, quite a few experiences of him “crashing out,” and little or no new music to distract us from this, Bieber lastly silenced critics in July together with his blissed-out comeback report SWAG. It’s his finest work in a decade, a group of soulful ballads and rap linkups that has the genuine, homespun attraction of a mixtape. Improbably, with lower than 24 hours’ discover, we discovered this week he’d be releasing a follow-up, SWAG II.

Teased yesterday with some memes and billboards, Bieber formally introduced the brand new album on X: “swag II midnight tonight.” It didn’t drop at midnight, and lots of diehard followers (and this author) stayed up for hours, ready till it lastly popped up on streaming companies round 3:30 a.m EST. The sequel’s textures are brighter than the unique, however its ethos stays the identical: That is the music Bieber likes to make. With extra odes to his spouse, left-field collaborations, and stylistic dangers, it’s the splendid second half of one of the vital stunning popstar transformations in latest reminiscence. Listed below are 5 key takeaways.

Similar SWAG, Totally different Day

This can be a correct sequel, not a closely marketed deluxe. These 23 songs have related textures (phrase to Mk.gee and Michael Jackson) as SWAG and sound like they had been created throughout the identical intense interval of creative breakthrough for Bieber. I think about there are tons of of songs within the vault that would’ve landed on both of those, however the 44 we bought throughout these two information had been thought of the very best. I’m certain followers may have a area day rearranging them to their liking.

It Sounds Pink, Too

The place SWAG felt closely introspective, SWAG II is brighter and usually extra enjoyable. Bieber sticks nearer to traditional pop constructions on the sequel, attacking them with a looseness that feels like reduction. Songs like “Unhealthy Honey” and “All of the Manner” nonetheless lean closely in the direction of R&B and gospel, however have a lot much less of an alternate skew. After breaking via what felt like creative purgatory on SWAG, II looks like a victory lap, a celebration of his newfound freedom.

Shocking Options

Very similar to SWAG, Bieber’s visitor record right here doesn’t embody your normal copy-paste popstar options. He harmonizes with Tems on “I THINK YOU’RE SPECIAL,” offers a verse to the English singer Bakar on the Michael Jackson-indebted “DON’T WANNA.” and lets his pal Lil B throw some spoken phrase over “SAFE SPACE.” Dijon additionally lends a hand on manufacturing on six songs. However most surprisingly (and successfully!) Shreveport, Louisiana, rapper Hurricane Chris, who had a second virtually 20 years in the past together with his hit “A Bay Bay,” joins Bieber on “POPPIN’ MY S***” for a show-stealing verse. I think about Bieber was deep in a regional rap rabbit gap on YouTube earlier than making the boss name.

Biblical Bieber

In case you haven’t heard, Justin Bieber and his spouse, Hailey, lately had a child. I’ve been instructed childbirth can convey dad and mom nearer to God, and this was touched on in SWAG (“GLORY VOICE MEMO,” “FORGIVENESS”), however taken a step additional on SWAG II. “EVERYTHING HALLELUJAH” is an ode to life—its trials, mundanities, and sweetness alike. “STORY OF GOD,” although, is a sermon from Bieber himself, who type of sounds just like the nine-year-old in church who’s pressured to learn an extended piece of scripture on Easter. He speaks in regards to the story of Adam and Eve, the tree of data, good and evil, the connective tissue between animals and human beings, and the way the tip is merely the start. It’s an extended however touching passage, and I a lot want it to the Druski skits we had been force-fed on the final album.

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